Tag Archives: Civil War

A reminder and a notice

Just a couple of days left to enter the book giveaway, so if you haven’t picked your number yet, better get to it.

Now, do you guys remember that article about battlefield sketch artists that National Geographic ran last year? It inspired a group of young filmmakers to produce a short Civil War film; one of them contacted me via e-mail, and it sounds like a pretty neat project.

They’ve got a Kickstarter page to raise the money they need to finish it. Here’s the scenario:

As the early days of the American Civil War begin to unfold, battle sketch artist Cale Bacall travels with a regiment of eager yet inexperienced Confederate soldiers into hostile combat, where he must come to terms with his own conflicting ideologies on war and death at the hands of his fellow countrymen. His loyalties are complicated, however, when he recognizes a long lost face from his past, fighting for the Union. It is the face of a cunning and battle hardened soldier who he hasn’t seen since he was a young boy — his twin brother.

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Pivotal moments in the Civil War at the East Tennessee History Center

The Museum of East Tennessee History will debut a new Civil War exhibit tomorrow.  “Of Sword and Pen: Pivotal Moments in Civil War East Tennessee” features Andrew Johnson’s desk, original documents, and contemporary sketches.    They’re hosting a preview tonight with a lecture by Ed Ayers at 7:30, so if you’re in the Knoxville area you might want to check it out.

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Filed under Appalachian History, Civil War, Museums and Historic Sites, Tennessee History

Win yourself a Civil War book

Time for another book giveaway, courtesy of the fine folks at Viking.  Up for grabs this round is a copy of Harold Holzer’s The Civil War in 50 Objects, which I blogged about a few days ago.  (No, you’re not getting my review copy.  I’m keeping that sucker.)

Just pick any number between 1 and 1,863 and e-mail it to me at mlynch5396@hotmail.com using “Civil War Book Giveaway” as the subject line.  Deadline for entries is Saturday, June 8 at 10:00 P.M.  U.S. residents only, and if you get your mail at a PO box you’ll need to supply an alternate shipping address in the event that you win.

Good luck, folks.  This is a pretty neat book, and I think you’ll enjoy it.

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In book news…

Rick Atkinson, the Pulitzer Prize-winner best known for his work on WWII, is writing a trilogy on the American Revolution.

The Siege of Vicksburg is the subject of Jeff Shaara’s newest novel.

Finally, a new book on Dunmore’s War is hitting the shelves in July.  I’ve really been looking forward to this one; the publication date apparently got pushed back, so I’m glad it’s coming to the stores soon.

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Filed under American Revolution, Civil War, Colonial America, Historiography

Harold Holzer brings the war out of the vaults

The Civil War in 50 Objects by Harold Holzer is one of the more engaging books I’ve received lately.  It’s neither a catalogue nor a popular history of the war but an interesting fusion of the two.

The book features items from the New-York Historical Society’s collections, arranged chronologically and illustrated in color.  The images are great, but this isn’t a picture book with the text limited to captions.  Instead, Holzer uses the objects as jumping-off points to explore various aspects of the Civil War era.  A wheel used to select names for the draft is the springboard for an examination of conscription, an 1864 campaign flag prompts a discussion of Johnson’s selection as a candidate for the vice presidency, and so on.  The chapters are short, but still substantial enough to give readers a nice little overview of the subject.

The objects run the gamut from a set of slave shackles to a portrait of U.S. Grant, from a John Brown pike to a manuscript copy of the Thirteenth Amendment.  Lincoln, emancipation, and the home front get particular attention, but the selection is broad enough to appeal to anybody who’s interested in the war.

This book gives you the same joy of exploration and discovery that you’d get from a museum exhibit.  You can read straight through it for an overview of some important aspects of the war, or jump around to whatever artifacts strike your fancy.  If you’re a museum junkie, it’ll be a welcome addition to your library.

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Some assembly required

In case you were wondering what might have befallen us if the Confederacy had gotten its hands on the Super-Soldier Serum, here it is.  I’m guessing the next installment will have Horace Hunley as Tony Stark and Belle Boyd as Black Widow.

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PBS features story of Loreta Velazquez, a reinvented Rebel

If even half of her controversial autobiography is true, then Loreta Janeta Velázquez led one of the most fascinating lives of the nineteenth century.  She’s the subject of Rebel, a new documentary airing Friday, May 24 to open this season of Voces on PBS.

Loreta Janeta Velazquez, in and out of disguise

According to her 1876 book The Woman in Battle, Loreta was born in Cuba in 1842 to  a prominent Spanish official.  Sent to New Orleans as a young girl, she displayed a rebellious personality from a young age, dressing in boys’ clothes and eloping with an army officer at the age of fourteen.  Deciding to see something of combat, she was one of hundreds of women who disguised themselves as men and fought in the Civil War.  Calling herself Harry T. Buford, she experienced some of the war’s most famous battles, including 1st Bull Run, Fort Donelson, and Shiloh.  After her exploits as a soldier, she took up spying, enjoying a remarkable career as a double agent.

That, at least, is the story she told in her memoir.  How much of it is true has been a subject of debate ever since its publication.  Jubal Early, who met her in Virginia after the book’s publication, denounced her as a fraud.  Some historians have likewise found her claims hard to swallow, although researchers have found enough documentation to verify a few parts of her story.

Rebel doesn’t spend much time separating fact from fiction.  Instead, it focuses on the outline of her story as she told it herself, using it to examine the role of Hispanics in Civil War America, gender in the nineteenth century, and contested historical memories.  The concern here isn’t really whether her account is true, but why its accuracy was a matter of such concern to her contemporaries.  The program suggests that her autobiography offered a challenge to the society in which she lived, not only because she stretched the truth but also because of who she was—a Hispanic woman involved in the business of war and espionage who was determined to go public with her exploits.  It’s a fascinating story, and I enjoyed watching it.

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Your very own Civil War tourist attraction

If you’ve got $1,695,000 to spare, you could be the next proprietor of the American Civil War Wax Museum in Gettysburg.  It’s officially on the market.

The exhibits depict such critical turning points as the fateful evening of May 2, 1863, when ZZ Top guitarist Billy Gibbons and Mark Twain tended to a wounded Grigori Rasputin…

…and Lincoln’s 1860 conference with Lt. Commander Worf of the USS Enterprise.

Pics are from tripadvisor.com.

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We could all use some tactical back-and-forth

Check out this article on the history of Civil War battlefield preservation at The Washington Post:

Despite admirable efforts to connect battlefields to the larger history of the Civil War, the one thing that battlefields can teach very well is the history of what happened in a particular place. If the goal is simply to inspire thoughts about the larger social history of the Civil War, one battlefield is pretty much the same as the next — and it becomes difficult to explain why we need to preserve so many of them, and with so much land taken off the tax rolls. If the goal is to make people passionate about battlefields and their preservation, visitors need to engage with the actual place to understand its strategic importance and the tactical back-and-forth.

I would argue that visitors need to get the strategic importance and tactical back-and-forth because they have intrinsic importance, not just because they inspire respect for preservation.

I seem to run across more discussions about how to effectively integrate non-military subjects into battlefield interpretation than about how to effectively interpret the battlefield itself. Don’t get me wrong—I’m glad that battlefield interpretation is more well-rounded and contextualized than it used to be. We rightly emphasize the fact that the battles didn’t happen in a vacuum, but that insight cuts both ways.

Just as the war’s larger issues determined the conflict, the “tactical back-and-forth” determined the resolution of those larger issues. Emancipation, Union, and all the rest of it ultimately hinged on the stuff of old-fashioned military history: maneuver, terrain, firepower, etc. We preserve these places not only because people suffered and died there, but also because what happened there mattered. It mattered that such-and-such a colonel held a particular position, that such-and-such a general flanked an enemy. Determining the outcome of larger questions, after all, is why battles tend to be fought.

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Lincoln, law, and necessity

Cross-posted at the blog of the Abraham Lincoln Institute for the Study of Leadership and Public Policy

I asked the students in my introductory Lincoln course to write an essay on Lincoln’s use of presidential power. I told them to decide whether Lincoln abused his authority and overstepped the Constitution, whether he was too timid, or whether he used his power judiciously, and to defend their answer in a short paper.

Although I assured the class that there was no “right” answer to the question, and that they were free to excoriate Lincoln as harshly as they wanted, the results came back overwhelmingly in his favor. Of some two dozen students, only three found his use of power excessive. The rest of the class generally agreed that Lincoln acted properly, given the circumstances he faced.

Interestingly, though, the two groups defended their positions quite differently. The students who argued that Lincoln assumed too much presidential power cited specific passages of the Constitution to make their case. Lincoln’s suspension of habeas corpus, in particular, came in for criticism. As these students noted, the Constitution permits such an act “when in Cases of Rebellion or Invasion the public Safety may require it,” but this passage is found in the article dealing with powers of Congress. The legality of a presidential suspension of habeas corpus while the legislature was out of session was therefore a matter of controversy during the Civil War, and it remains so today.

Adalbert Volck depicted Lincoln as Don Quixote with his foot on the Constitution in this 1861 etching. Image from the National Portrait Gallery, Smithsonian Institution.

The students who defended Lincoln, by and large, did not try to cite law and precedent to demonstrate that his actions were legal. Instead, they argued from necessity. Rebellion on the scale of the Civil War was something no other president had faced, and most students felt he had no choice but to act as he did in order to preserve the Union.

A few of the students who defended Lincoln did find him a bit too hesitant in one respect; they wished he had issued his emancipation decree sooner. But they also noted that their preferences in timing weren’t necessarily practical, and agreed that Lincoln had good reasons for waiting as long as he did.

I found it interesting that the two groups of students differed in their approaches, because Lincoln himself used both law and necessity in defending his more controversial policies. Referring to his suspension of habeas corpus in a message to Congress in 1861, he noted that “the attention of the country has been called to the proposition that one who is sworn to ‘take care that the laws be faithfully executed,’ should not himself violate them.” At the same time, however, he observed that all the Constitution’s provisions were essentially going unenforced “in nearly one-third of the States.” Was it acceptable for “all the laws, but one, to go unexecuted, and the government itself go to pieces, lest that one be violated? Even in such a case, would not the official oath be broken, if the government should be overthrown, when it was believed that disregarding the single law, would tend to preserve it?”

In any case, Lincoln continued, his suspension of habeas corpus was not a case of “disregarding the law.” He believed he had acted within the limits established by the Constitution. After all, that document permits habeas corpus to be suspended in a case of rebellion, and while it does not explicitly permit the executive branch to exercise this power, neither does it explicitly forbid it. Besides, since “the provision was plainly made for a dangerous emergency, it cannot be believed the framers of the instrument intended, that in every case, the danger should run its course, until Congress could be called together; the very assembling of which might be prevented, as was intended in this case, by the rebellion.”

Lincoln thus hedged his rhetorical bets in his message to Congress. He made a case for the constitutionality of his actions, and if that failed to convince his critics, he asked whether they preferred to see one law stretched and the Constitution saved or watch the whole Constitution tossed aside by the rebellion while the Union’s hands remained tied.

If my students’ essays are any indication, many modern Americans will support leaders who use extraordinary means so long as they believe the ends are worthwhile.

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