This guy’s got all his ducks in a row.
Reference to the USSR? Check. Use of the felicitously vague label “progressive”? Check. War attributed to tariffs? Check. The Greeley letter quoted in blissful ignorance of the chronology surrounding the decision for emancipation? Check. Quote from the Charleston debate? Check. Lerone Bennett citation? Check.
Bonus points for conflating the slavery debate as the cause of the war with abolition as a Union war aim from the get-go…”Moreover, if, according to the progressive version of history, abolition of slavery was the cause of the Civil War, why didn’t Lincoln free the slaves right off the bat?”
…and for overlooking the wee matter of the Battle of Antietam: “Why did he wait for many months — and do it only when the war took a bad turn for the Union, and, more important, when the superpowers of the day, Great Britain and France, were about to recognize the Confederacy and come to its aid?”
I just got this message from a filmmaker named Alexander Fofonoff:
I am in my last year at NYU Tisch for film, and about to embark on my thesis film. It is a 19th century post civil war period piece that deals with how returning soldiers dealt with not only the transition from war to peace, but a national transition, how to accept half the country that’s been considered an enemy for the last four years, and what price is paid for that acceptance.
I recently launched an indiegogo campaign, in an attempt to have my project crowd-funded (small donations from a lot of people).
You can get more information at the film’s WordPress site, and make a contribution toward the production at Indiegogo.
Thirteen new sites just made the list, including Camp Nelson in Kentucky, Harriet Beecher Stowe’s house in Connecticut, Honey Springs Battlefield in Oklahoma, and an eighteenth-century frame house in Virginia.
Then come to the third War in the Mountains Symposium this April at LMU’s Abraham Lincoln Library and Museum.
The honest-to-goodness original Emancipation Proclamation came to Nashville for a limited engagement, and since my cousin and I are dedicated history aficionados, we hit the road to see it. I would’ve snapped a photo, but…
Anyway, as an unexpected bonus, we got to see the Thirteenth Amendment, too. The Tennessee State Museum hosted these items as part of a special Civil War exhibit from the National Archives, and even if you don’t see the proclamation itself, the exhibition is still worth a visit. It uses NARA holdings to illustrate various subjects relating to the war, so you get a sense of the incredible variety and value of primary sources from the period as well as learning about the conflict itself. Check out Gordon Belt’s blog for some photos.
This was one of the most rewarding public history experiences I’ve had in a long time. Getting to see the proclamation was great, of course, but what I enjoyed almost as much was seeing the other visitors enjoy themselves. People of every age and background were there; the TSM was open late to accommodate the crowds, and as we left, the line of ticket holders and standbys was as long as it had been when we entered. While everyone waited to be admitted, the staff passed around handouts with transcriptions of the proclamation’s text, and visitors huddled in groups to read them, discussing particular passages and arguing over implications and meanings.
- If you’re within driving distance of Nashville, don’t forget about the special exhibition of the original Emancipation Proclamation at the Tennessee State Museum, Feb. 12-18. Viewing hours are limited and lines may be long, so click here to learn how to make advance reservations. Some time slots are already full.
- Hey, speaking of Lincoln, did you know that in addition to leading a Marxist war effort, he was also an “unscrupulous fascist“? A sneaky devil, that Lincoln.
- Here’s an interesting history of the sites associated with Lincoln’s early life.
- Thoughts from East Tennessee on the importance of family heirlooms.
- There’s another proposed state law to prevent people from fiddling with or renaming monuments. This one is right here in Tennessee.
- Some info on the sesquicentennial commemoration of the Chattanooga Campaign.
- Mt. Vernon has acquired an original painting by Benjamin Latrobe.
Now, here’s the sort of thing that’s perfect for stirring up debate in the historical blogosphere:
A new bill proposed in the Georgia legislature would prohibit local governments from hiding or removing statues of Jefferson Davis, Robert E. Lee or other Confederate army heroes indefinitely.…
Rep. Tommy Benton, R-Jefferson, introduced the proposal at the request of the Sons of the American Revolution and the Sons of Confederate Veterans.
The bill, if passed, would require that monuments be kept in a prominent place. It would also make it illegal to “deface, defile, or abuse contemptuously” any memorial dedicated to the Confederate army.
“We’re not saying they can’t move them,” Benton said. “We’re just saying they can’t just put them in a field somewhere.”
You can read the proposed bill yourself by clicking here. It’s pretty short, so go ahead and give it a look.
Of course, I’m in favor of throwing the book at anybody who mutilates or damages historic monuments and markers, but I would assume Georgia already has vandalism laws to cover that sort of thing. As for the bill’s more novel provisions to stop such monuments from being “relocated, removed, concealed, obscured, or altered,” I’m not sure what to think.
My inclination in disputes over older monuments is usually to let them be and keep them in good condition, since they have intrinsic historic value. But I’m not sure it’s a good idea to have a state law prohibiting local government agencies from moving monuments except in cases of construction projects, since the bill (if I understand it correctly) makes no distinction among monuments “dedicated to a historical entity” based on their age or significance.
What do you guys think?
Whenever Glenn Beck and David Barton get together to talk about history, you know you’re in for a show.
Check out this conversation they had about the movie Lincoln. Beck asks Barton about the film’s accuracy, and Barton claims that, contrary to what the film shows, the Thirteenth Amendment passed Congress easily as a “slam dunk” and without all the wheeling and dealing.
In reality, the vote in the HOR was anything but a “slam dunk.” Approval of a proposed constitutional amendment requires a two-thirds majority, not a simple one, and the Thirteenth Amendment just barely passed. A mere handful of additional nays, and it wouldn’t have.
Barton’s supporters are always assuring us that he’s an expert in matters constitutional and historical; he does know how new amendments get added to the Constitution, right?
As for the “wheeling and dealing,” Lincoln’s administration did, in fact, put quite a bit of pressure congressmen to support the amendment. The exact nature and extent of that pressure is a matter of some uncertainty (for obvious reasons, it’s not the sort of thing that leaves a paper trail), but that Lincoln was more heavily involved in this congressional matter than was usual for him is pretty well established.
The Frank H. McClung Museum at the University of Tennessee is hosting a series of Sunday lectures on the Civil War in Knoxville, starting this Sunday. While you’re there, you can check out the Ft. Sanders exhibit; it’s pretty cool. Click here for details.
- International audiences for Spielberg’s Lincoln will see a slightly different opening sequence to provide context for viewers who might not be as familiar with American history. Maybe some additional background would’ve been a good idea for American moviegoers, too; Black Hawk Down and Argo both needed historical prologues even though the events in question happened during the lifetimes of many of the people watching the films.
- Readers of ScreenCrush selected Abraham Lincoln: Vampire Hunter as the worst movie of 2012, indirectly proving the continuing viability of democracy as the best available form of government.
- Saving Lincoln, the upcoming film about Ward Hill Lamon, made HuffPo.
- That high-pitched, ecstatic shrieking sound you heard? That was me: We now have a trailer for the twentieth anniversary 3D re-release of Jurassic Park and an official release date for JP4.