When asked which side they would’ve taken in the Civil War, only 10% of Americans responding to a new poll picked the Confederacy. That’s less than the number of respondents who said they would’ve tried to be neutral. Republicans were more likely to say they would have supported the South, but would-be Confederates still made up a mere 20% of GOP respondents. I don’t know about you folks, but I would’ve expected the percentages to be higher, especially among those on the Right.
Tag Archives: historical memory
Twentieth-century American history has never been my thing, but I’ll admit that the flurry of assassination anniversary coverage over the past couple of weeks has piqued my interest.
I’ve never put much stock in conspiracy theories, and what I’ve read of the events in Dallas has only reinforced my conviction that Kennedy’s death was the work of one man. Most Americans disagree, although belief in a conspiracy seems to be declining. I was curious to see what my students’ opinions were, so on Wednesday I conducted an informal poll in one of my classes. Out of about twenty people, only three believed Oswald carried out the assassination himself. The rest thought there was some sort of conspiracy, except for two or three students who abstained because they weren’t sure one way or the other.
Of course, this week marks the sesquicentennial of the Gettysburg Address, too. Bill Mauldin tied Lincolnian imagery to JFK’s death in a famous 1963 cartoon, but I’m not aware of any major attempts to connect this year’s dual anniversaries. That’s a little surprising to me, given that both presidents met the same fate.
Anyway, here are a few links I found interesting.
- Three hours’ worth of original CBS coverage from 11/22/63
- Access plenty of primary source material via the Mary Ferrell Foundation
- The house where Oswald’s family stayed is now a museum operated by the city of Irving, TX
- Fascinating interviews with Oswald’s brother, older daughter, and younger daughter
- An interactive timeline of JFK’s Dallas trip
- A list of things Oliver Stone’s movie got wrong
- Explore the collections at the Sixth Floor Museum, the National Archives, and the JFK Presidential Library and Museum
- Take a virtual trip to Dealey Plaza, or view the scene from the webcam in the sixth floor of the former Texas Schoolbook Depository
- Finally, Oswald’s wedding ring fetched $108,000 at auction last month. Accompanying the ring was a note from his widow, reading in part, “At this time of my life I don’t wish to have Lee’s ring in my possession because symbolicly [sic] I want to let go of my past that is connecting with November 22, 1963.” Since she’s spent five decades with the memory of that day—on which she found herself in a strange country, a frightened young mother of two children, and married to an abusive man who had just been accused of the crime of the century—I think she deserves some peace and quiet.
So there’s an effort underway by the Sons of Union Veterans to set up a monument at Olustee in order to “balance the cultural representation” on the battlefield, and some folks in the Sons of Confederate Veterans are opposed to the idea, calling it “a large black Darth Vadar-esque [sic] shaft that will disrupt the hallowed grown [sic] where Southern blood was spilled in defense of Florida, protecting Tallahassee from capture.“
My opinion has always been that older monuments have intrinsic historical and artistic value, but when it comes to setting up new ones, I’d rather see these groups spend their money on something else, like buying endangered battlefield land, conserving artifacts, and so on. I’m not opposed to new battlefield monuments on principle; I just don’t see the need to make sure every historical constituency involved with a site is represented with a slab of granite.
But having said all that, I don’t really get the SCV’s logic here. Indeed, I’m not sure there’s any logic to be had. There are Union monuments on countless battlefields across the South, just as there are Confederate monuments at Gettysburg and Antietam. If this new monument is going to disrupt the site’s historic integrity, then fine, but I haven’t seen anybody make that case. What the heck is the issue?
I saw 12 Years a Slave the other day, and it’s a darn good movie—certainly the most visceral onscreen depiction of the peculiar institution I’ve ever seen, rivaling the harrowing slave ship scenes from Amistad.
One reason the film is so powerful is because Solomon Northup makes for an especially relatable protagonist. Anyone who’s thought about the history of American slavery has probably sympathized with the people who were victims of it, but sympathy for someone is not the same as identification with them. Identification requires you to be able to see yourself in a character, and living your whole life as someone else’s property is so foreign to the experience of most modern Americans that it’s difficult to put yourself in that place.
Northup wasn’t born into slavery; he had his freedom, a home, and a family before losing it all when he was abducted. You can see yourself in him. And in the movie, he’s thrown into this brutal new reality at the same time you are. You’re on his journey alongside him, and that lends the experience a special kind of impact.
Of course, if Northup’s exceptionalness makes him a useful surrogate in approaching the subject of slavery, it also means that we have to remind ourselves of how atypical his story is. Most slaves were born into bondage, lived their entire lives in that condition, and died without publishing their stories. Peter Malamud Smith explains the dilemma:
It’s just so hard for us to identify with “the regular slaves,” in whatever form they may take. 12 Years a Slave is constructed as a story of a man trying to return to his family, offering every viewer a way into empathizing with its protagonist. Maybe we need a story framed on that individual scale in order to understand it. But it has a distorting effect all the same. We’re more invested in one hero than in millions of victims; if we’re forced to imagine ourselves enslaved, we want to imagine ourselves as Northup, a special person who miraculously escaped the system that attempted to crush him.
In other words, this individual’s story can’t take the place of millions of other slaves’ untold stories. But it more than compensates by reminding us, as few other slave narratives can, that behind each of those untold stories was an individual.
Thomas Watson of Georgia began his political career in the late nineteenth century as a Populist champion of small farmers and opponent of powerful railroad companies. As a congressman, he was instrumental in implementing Rural Free Delivery by the postal service.
By the early twentieth century, however, Watson was lending his voice to prejudice rather than reform with his virulent denunciations of Catholics, blacks, and Jews. His condemnations of northern and Jewish influence in the wake of Leo Frank’s 1913 trial for the murder of Mary Phagan contributed to the anti-Semitic feeling against Frank that resulted in his August 1915 lynching.
There’s a statue of Watson on the grounds of the Georgia State Capitol, but as of this month it’s slated to be moved across the street to make way for a renovation project. The statue’s removal apparently has nothing to do with Watson’s bigotry and everything to do with the prohibitive cost of moving it back once the renovations are done, but it’s prompted an interesting discussion about historical memory and one political figure’s very mixed and quite troubling legacy.
I finished reading Sharyn McCrumb’s novel King’s Mountain night before last, and I’ve got to say that I’m pretty impressed at how much Overmountain Men lore she managed to pack into it. The gang’s all there, even fairly obscure characters like Enoch Gilmer. McCrumb is obviously passionate about the subject, and she’s done her homework.
The book’s not totally free of historical slip-ups. McCrumb indicates that Ferguson’s posting to the Carolinas was essentially a banishment to a backwater of the war, but the South had become the seat of Britain’s major offensive efforts by the time Ferguson arrived with Clinton’s Charleston expedition. At one point she says in passing that Light-Horse Harry Lee was an Overmountain Man, which is an error I don’t think I’ve seen anywhere else. Finally, her characterization of James Williams as a first-rate scoundrel traces back to questionable statements found in Col. William Hill’s 1815 memoir. Hill’s account is like Super Glue—it’s handy to have around, but you’ve got to be extremely careful when using it. It’s the work of an old veteran nursing a grudge, and some of his charges against Williams just don’t hold up in light of other sources. (For a detailed discussion of the whole Williams/Hill kerfuffle, I recommend William T. Graves’s new book. I’m not as inclined to exonerate Williams as fully as Graves does, but he makes an excellent case for taking Hill’s memoir with a generous dose of salt.)
When it comes to matters open to novelistic license, my only complaint is that McCrumb’s Ferguson is a pretty humorless, embittered guy. Although Ferguson endured repeated disappointments during his military career, his letters also indicate an endearing charm and wit, and they don’t really come across in the novel.
These caveats aside, I enjoyed the book and I hope it sparks widespread interest in the battle. If you like the Southern Campaign and early Tennessee history as much as I do, you’ll get a kick out of it. McCrumb employs John Sevier and Virginia Sal as dual narrators, and as much as I’m drawn to Sevier as a historical figure, I found the Virginia Sal chapters the most compelling. We know so little about Ferguson’s purported lover and the other women who followed the armies that they’re among the voiceless participants in the Revolution; McCrumb effectively lends them a voice of their own. Reading the story in fictional form as told by the people who lived it reminds you that they didn’t have our benefit of knowing how things would turn out, and they endured the pivotal autumn of 1780 with all the hopes and fears of flesh-and-blood human beings.
It’s worth noting that the novel is a distinctly Appalachian story, written by an author who specializes in the region. This is an interesting modern example of Appalachians claiming King’s Mountain as their own American Revolutionary moment, a process that began with regional historians and antiquarians of the nineteenth century. If you’re interested in how this regionalized memory of the battle emerged, you might enjoy my article on that subject in the Fall 2009 issue of Tennessee Historical Quarterly.
We’re in the home stretch of posts about my trip to the Northeast, with two more cities to go. It’s taken me as long to write all this stuff up as it did to see it.
I must’ve picked up a nasty cold somewhere in New York, because by the time we got to Philadelphia the symptoms were on me in full force. We hit the trail anyway. I’m a first-rate wuss, but it takes more than a runny nose and a sore throat to keep me from historical sightseeing.
Something like the sequester, for example.
To explain how the folks in Washington put a real damper on this leg of the trip, I need to back up and give you a brief history of my previous visits to the City of Brotherly Love. I was still in high school the first time I went there, accompanying my mom on a research trip. We were only in town for one day, so there wasn’t much time for sightseeing. I got to pick one destination to visit, and it came down to either Independence Hall or the Academy of Natural Sciences.
You’d think this would be a no-brainer for a Rev War buff, but at that time my history buffdom was still in its embryonic stage. Like our tiny mammalian ancestors, it scurried around in the underbrush, unable to compete for resources with the ginormous reptiles who took up all the good habitat space. In this case, the ginormous reptile was a hadrosaur, the first major dinosaur find ever made in the U.S. and one of the star attractions of the Academy of Natural Science’s collections. So I picked the ANS and vowed that if I ever made it back to Philly I’d see Independence National Historical Park.
Many years later, I had to fly up to Philadelphia on a trip for the Lincoln museum. With a couple of hours to myself, I managed to hit Independence Hall, the Liberty Bell, and the buildings where Congress and the Supreme Court sat. I’d really wanted to see the house where Jefferson wrote the Declaration of Independence, the New Hall Military Museum, and the gallery of Charles Wilson Peale’s portraits, but there just wasn’t enough time. Once again I left Philadelphia with unfinished business, promising myself that someday I’d be back to fill in the blanks.
So here I was again in 2013, ready to take another crack at seeing everything INHP had to offer. You can imagine my reaction when when we found the Declaration House, the military museum, and the Peale gallery closed. If you’re familiar with that scene in National Lampoon’s Vacation where the Griswolds finally make it to Walley World, and they run giddily up to the entrance only to encounter a statue of Marty Moose with a recorded message announcing that the park is shut down for renovation, well…
…it was sort of like that.
Missing the Peale gallery was just plain bad luck; it’s only open on certain days of the week, and we happened to be there on one of the other ones. But I couldn’t figure out why the Declaration House and the military museum were off limits. The park’s website gave no information. I wondered if the sequester might have had something to do with it, and apparently that was the case.
On the off chance you ever read this, members of Congress and President Obama—thanks for nothing.
Still, an incomplete visit to INHP is better than a full visit to most places. It’s an awesome park. We did manage to see the reconstructed Declaration House from the outside. The original was demolished in 1883.
And Independence Hall makes any trip to INHP well worth it, even if some of the other buildings are closed.
People have been paying their respects here for a long time.
The line to see the Liberty Bell was much longer than on my last visit, wrapping all the way around the outside of the building. I wondered if this was due to the fact that so many of the other buildings were closed. There’s a great exhibit in the building that houses the bell, covering everything from its manufacture to its evolution as a symbol of freedom and protest down to the present day. It’s a fascinating look at the development of historical memory.
I didn’t get to visit Carpenters Hall on my last trip, so I was glad to see it this time. The interior is much smaller than I’d expected.
We also walked through Christ Church Burial Ground. Five signers of the Declaration of Independence are at rest here, including Benjamin Franklin.
One other feature at INHP was new to me, because when I first visited the park it hadn’t been built yet. It’s an outdoor exhibition called “The President’s House: Freedom and Slavery in the Making of a New Nation,” which opened in 2010 on the site of the house occupied by the President of the United States from 1790 to 1800. A sort of semi-reconstruction of the home’s facade marks the spot.
It’s an interesting case study in the intersection of memory, politics, and public history, and for that reason it’s worth examining in some detail.
Excavations at the site, which revealed remnants of the presidential residence’s work areas, generated public calls for recognition of the slaves who lived and worked there. As of the time of my visit, the exhibit tells both the story of George Washington’s slaves and the story of the presidency’s beginnings…sort of.
There are some panels with information about important events in the history of the presidency (the Jay Treaty, the Alien and Sedition Acts, etc.), but it seemed to me that slavery was the main story here. Video screens run short films on Washington’s servants, and toward the rear of the structure you can look through a transparent floor at some of the house’s original foundations.
Washington’s time in Philadelphia definitely exposed the uglier side of his career as a planter. By a 1780 state law, non-residents could only keep their slaves in Pennsylvania for up to six months; after that, slaves of nonresidents living in the state were free. The law provided an exemption for members of Congress, but not for the president or federal judges. Washington managed to get around the prohibition by moving slaves in and out of Pennsylvania so that none of them were in the state for more than six months at a stretch, even though a 1788 amendment to the original law closed this loophole by prohibiting that very practice.
Washington never came under legal scrutiny for these shenanigans, but his slaves still proved harder to hold onto in the capital city than he anticipated. As he prepared to leave Philadelphia and return to Virginia, a young woman named Oney Judge (one of Martha Washington’s dower slaves) fled the household. Knowing that escape would be extremely difficult back in the Old Dominion, she used her connections among Philadelphia’s black community to make a bid for freedom and made it to New Hampshire, where she married a sailor and had three children. Washington’s efforts to recover her ended in failure, and she died a free woman—in practice if not by law—in 1848.
It’s one heck of a story, and I’m glad the exhibit is telling it. At the same time, I couldn’t shake the impression that we were juggling two different topics, and not entirely successfully. The origins of the presidency and the role of slavery in the Washington household are both immensely important and very complicated subjects, requiring as much space and ingenuity as possible. The President’s House exhibit conveys the slaves’ story much more effectively than the story of the executive branch’s early development. This is a problem, because there aren’t many historical topics more consequential than the presidencies of Washington and Adams. Every decision, every measure, every bit of protocol established precedents that would shape American government for more than two centuries, and in some cases determined whether the U.S. would maintain its precarious existence or be caught up in the torrent of European war.
I would’ve preferred the exhibit take its time and tell either one of these stories fully, either the bottom-up story of Washington’s slaves or the top-down story of the first two men to take the oath of office. To me, the limited space devoted to the top-down story only called attention to the fact that the coverage was so basic and limited, like an afterthought tacked on because there happened to be room for a few more exhibit panels. It was as if the interpreters were trying to cram in enough to please everybody, with the result that nothing got covered as thoroughly as it should have.
I realize that I’ve devoted more verbiage to my critique of the President’s House exhibit than any other aspect of INHP. I hope this doesn’t give you the impression that my overall assessment of the park is negative. Far from it; the only reason I haven’t discussed the park as a whole in the same detail is because the President’s House exhibit was new to me, and it raises all sorts of interesting questions about how we interpret historic sites. I consider the park as whole to be one of the crown jewels of the entire national park system. I’ve had two guided tours of Independence Hall and the buildings alongside it over the years, and both were among the best historic building tours I’ve ever taken. The rangers here are extraordinarily knowledgeable and engaging, the buildings are beautifully restored and maintained, and in terms of historical significance it might just outrank every other historic site in the country. If you’re making a list of historic places to see in the U.S., this one should be at the very top.