I just ran across an MSN listicle on tourist traps to avoid in each of the fifty states. The entry for Arizona is the town of Tombstone, which surprises me a little. Tombstone has its tacky, gaudy aspects, but it’s an interesting place to spend a few days. I’ve always enjoyed my visits to the Town Too Tough to Die, and the folks there are fantastic.

By mia (originally posted to Flickr as USA 247) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons
Is there a clear demarcation between a museum/historic site and a history-oriented tourist trap/attraction? When does a site that attracts visitors because of its history become something other than a “real” historic site?
Take Graceland, for example—the Volunteer State’s entry on MSN’s list. (Personally, I can think of quite a few places in Tennessee that are a much bigger waste of your admission fee, but that’s neither here nor there.) Does Graceland count as a historic site? It’s on the National Register of Historic Places and is a National Historic Landmark. Elvis was undoubtedly a figure of tremendous significance, someone who had a remarkable impact on the history of music and American culture. Leonard Bernstein called him “the greatest cultural force in the twentieth century.”
Of course, he was exceptional in terms of his wealth, fame, and eccentricity. A visit to his estate isn’t likely to shed any light on the lives of most people of his place and time. But, as I’ve written elsewhere, that’s true of a lot of “historic” homes. If exceptional wealth, fame, and eccentricity of a home’s occupant disqualifies it from being a “real” historic site, where would that leave Monticello?

Could be the Jungle Room, or it could be Jefferson’s study. I’ll let you be the judge. By Thomas R Machnitzki (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)%5D, via Wikimedia Commons
I don’t mean to imply that attempts to distinguish serious historic sites from historical tourist attractions are doomed to break down, or that at the end of the day public historians and entertainers are all engaged in the same enterprise. That’s not true, and it’s a dangerous attitude to cultivate. But minding the occasional fuzziness of the boundary between historic sites and historical attractions is useful precisely because we need to take the distinct aims of historic sites seriously. Figuring out just what it is that makes them “real” historic sites can help us do that.
So what are your criteria for distinguishing “real” historic sites from historical attractions? Authenticity? Education? Scholarship? A 501(c)(3) exemption?