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The Battle of New Orleans on the big screen

From NOLA.com:

Two hundred years after the Battle of New Orleans was waged — earning it an eternal place in Louisiana history books and further burnishing Andrew Jackson’s reputation as one of America’s original action heroes — it is getting the Hollywood treatment.

In a ceremony timed to coincide with local bicentennial celebrations of the historic skirmish between American and British troops, fought in January 1814 as one of the closing salvos of the War of 1812, Hollywood producer Ken Atchity and brother Fred unveiled plans Friday (Jan. 9) for a major feature film about the battle’s place in history and Jackson’s role in it.

With a planned budget of $60 million to $65 million, the independently financed “Andrew Jackson and the Battle for New Orleans” is being targeted for a possible 2016 release, with shooting to begin as early as this summer. Envisioned by Ken Atchity as a sweeping action epic in the vein of 2000’s “The Patriot” and 1995’s Oscar-winning “Braveheart,” the film will be shot entirely within a 30-mile radius of New Orleans, he said.

A script for the film has been written, and while it will strive for historical accuracy, it will function as a mainstream Hollywood-style movie, not a “schoolroom movie.”

I’m really excited to see this happening, but as I’ve said before, what I’d really like to see is a sprawling, three-hour, Patton-esque Old Hickory biopic.  I’d start with a brief scene at the American lines on Jan. 8, 1815, zoom in on Jackson’s face as he scans the horizon for signs of the British, and then flashback to his boyhood injury at the hands of a redcoat officer during the Revolution.  Flash forward to the Dickinson duel and the run-up to the War of 1812, cover his Creek campaign, then New Orleans for the big climax.

Time permitting, I’d include the whole 1818 Florida imbroglio, and then cut to James Monroe and John Quincy Adams mulling it over and discussing the fact that the country hasn’t heard the last of Jackson…annnnd roll credits over some rousing military music.

Here’s an earlier Hollywood take on Jackson in New Orleans, with Charlton Heston as Old Hickory and Yul Brynner as Jean Lafitte in The Buccaneer (1958).  Heston was probably used to filling Jackson’s boots at that point, since he’d played the same role in The President’s Lady just a few years earlier.

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Should history books cost an arm and a leg?

Over at the always-interesting Boston 1775 blog, J.L. Bell draws our attention to an interesting new title on gossip in American history.  Unfortunately, as he notes, a copy of the book will set you back nearly a hundred bucks.

Hefty price tags aren’t unusual when it comes to academic books.  Many university press hardcovers cost upwards of forty dollars.  If you’re only going to sell a few copies of a book to large research libraries, it makes sense to slap a high price on each copy.

But what about readers who want copies of these pricey academic books?  Many of them are probably going to be academics themselves, and they can get a free book from a journal looking for a review or a complimentary desk copy from publishers who want to sell to students.  Other potential readers—grad students, bloggers, independent scholars, reenactors, and history buffs—will either have to cough up some serious dough or wait for copies to start showing up in used bookstores or on Ebay.

One of my professors refuses to submit her manuscripts to one very prominent academic publisher because their books are so expensive.  She feels an obligation to make her work accessible and useful to people beyond the academy.

If your primary concern is writing for an academic audience, or if publication is just a means to some professional end (job, tenure, promotion, accolades), then you can afford to be unconcerned about your book’s cost. But I think it’s worth asking whether historians have an obligation to do whatever they can to ensure that interested lay readers can afford their books.

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Essex on the silver screen

The trailer for Ron Howard’s film In the Heart of the Sea, based on Nathaniel Philbrick’s bestseller of the same name, is finally out.  It’s about time somebody put the tragedy of the Essex on the big screen; it’s one of the most harrowing and incredible episodes in human history.

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The USSR was a sick Triceratops

For my America and the World course I’ve been reading We Now Know: Rethinking Cold War History by John Lewis Gaddis.  The twentieth century isn’t really my thing, but I’ve really enjoyed this book.

One of the themes running through We Now Know is that the Soviet Union operated with a number of disadvantages.  Its authoritarian structure could not create and maintain alliances as well as the democratic U.S., which was more accustomed to compromises and building coalitions.  The USSR therefore had to coerce its “allies,” whereas allies of the U.S. enjoyed more flexibility and initiative.  And since there was nobody in a position to say “no” to a Stalin or a Khrushchev, nobody could stop them when they pursued a course that was misguided, as they tended to do often.  (Gaddis notes that “there seems to have been something about authoritarians that caused them to lose touch with reality.”)

One of the few things the USSR had going for it was the appearance of military strength, which brings us to this delightful metaphor:

The end of the Cold War made it blindingly clear that military strength does not always determine the course of great events: the Soviet Union collapsed, after all, with its arms and armed forces fully intact.  Deficiencies in other kids of power—economic, ideological, cultural, moral—caused the USSR to lose its superpower status, and we can now see that a slow but steady erosion in those non-military capabilities had been going on for some time.

To visualize what happened, imagine a troubled triceratops.  From the outside,  as rivals contemplated its sheer size, tough skin, bristling armament, and aggressive posturing, the beast looked sufficiently formidable that none dared tangle with it.  Appearances deceived, though, for within its digestive, circulatory, and respiratory systems were slowly clogging up, and then shutting down.  There were few external signs of this until the day the creature was found with all four feet in the air, still awesome but now bloated, stiff, and quite dead.  The moral of the fable is that armaments make impressive exoskeletons, but a shell alone ensures the survival of no animal and no state (p. 284).

Looks like she’s come down with a nasty case of perestroika, but we’ll need to check her poop to be sure. Image via http://www.moviemag.org/2013/04/review-giveaway-jurassic-park-3d/

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Quotations of Chairman Spammer

These words of wisdom turned up in my pending comments: “When some one searches for his vital thing, therefore he/she desires to be available that in detail, so that thing is maintained over here.”

How profound.  How pithy.  And how eternally true.

 

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Richard Attenborough, 1923-2014

Two films top my list of all-time favorites.  Richard Attenborough gave an unforgettable performance in the first, and he directed the second.  In both cases, his work was flawless.  Absolutely flawless.

I knew his health had declined over the past few years, but that didn’t soften the blow when I heard that he passed away today.  He made us all believe in the incredible and the inspiring, and he’ll be missed.

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OT: Pitch in and help Iraq’s persecuted minorities

The situation for Iraq’s ancient Christian community, and for Iraq’s other persecuted religious minorities, is pretty dire, so much so that it’s easy to assume ordinary folks like us can’t do anything about it.  But if you’ve got a few dollars to spare, here’s a way to pitch in:

The Knights of Columbus announced today that is establishing a fund to assist those – particularly Christians as well as other religious minorities – facing a horrific and violent persecution and possible extinction in Iraq and the surrounding regions.

The Knights has pledged an initial $500,000 and will match an additional $500,000 in donations from the public.

“The unprovoked and systematic persecution and violent elimination of Middle East Christians, as well as other minority groups, especially in Iraq, has created an enormous humanitarian crisis,” said Supreme Knight Carl Anderson. “Pope Francis has asked the world for prayers and support for those affected by this terrible persecution, and we are asking our members, and all people of good will, to pray for those persecuted and support efforts to assist them by donating to this fund.”

Anderson added: “It has shocked the conscience of the world that people are systematically being purged from the region where their families have lived for millennia – simply for their faith. It is imperative that we stand in solidarity with them in defense of the freedom of conscience, and provide them with whatever relief we can.”

Those seeking to assist with the relief efforts can donate to K of C Christian Refugee Relief by visiting www.kofc.org/Iraq or by sending checks or money orders to: K of C Christian Refugee Relief, Knights of Columbus Charities, P.O. Box 1966, New Haven, CT 06509-1966.

Donations are tax deductible to the extent allowed by law. Knights of Columbus Charities, Inc., is recognized by the Internal Revenue Service as a charitable organization under section 501(c)3 of the Internal Revenue Code, and 100 percent of all donations collected by Knights of Columbus Charities, Inc., will be used for humanitarian assistance for those Christians – as well as other religious minorities –being persecuted or displaced in Iraq and the surrounding region.

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