Tag Archives: American Museum of Natural History

Take the Jurassic World Challenge and support paleontology

A couple of days ago I finished reading An Agenda for Antiquity, Ronald Rainger’s book on the eminent naturalist Henry Fairfield Osborn and his career at the American Museum of Natural History.  It was Osborn who turned the AMNH into one of the world’s leading institutions for vertebrate paleontology.

He was never a field man, he delegated much of the nitty-gritty work of research to his subordinates, and many of his ideas about evolution were off the mark.  But as an administrator, a museum showman, and an intellectual who grappled with big questions, he left behind a tremendous legacy, the magnitude of which is apparent when you walk through those magnificent fossil galleries on the AMNH’s fourth floor.  (Incidentally, Osborn was also a master at coming up with awesome dinosaur names; he’s the guy who christened Tyrannosaurus and Velociraptor, probably the two coolest scientific monikers in the history of zoology.)

Osborn’s background was critical to his success at the AMNH.  He came from a wealthy New York family, and he was connected to some of the richest and most influential Americans of the late nineteenth and early twentieth centuries.  These connections enabled him to raise the money needed to mount expeditions, prepare specimens, build galleries, and publish research.  In Osborn’s day, vertebrate paleontology depended heavily on private donors.

It’s dependent on them still.  A lot of people assume that paleontology must be a lucrative business, since dinosaurs are so wildly popular.  Unfortunately, that’s not the case.  Compared to scientific fields with more immediately practical applications, paleontological research is woefully underfunded.

That’s one of the reasons why I heartily endorse David Orr’s idea over at the paleoblog Love in the Time of Chasmosaurs.  Check it out:

I call it the Jurassic World Challenge. If you’re buying a ticket for the movie, it’s a fair bet that you also have that much money to give to the people who bring prehistory to life in the real world. Think of it as a matching fund, crowdsourced. See the movie, do some good. The official rules:

  • Donate the equivalent of your Jurassic World ticket price to paleontological research
  • Spend the equivalent of your ticket price on the wares of an independent paleoartist

Of course, you don’t have to pick one or the other. Buy some art, give some money to a research effort, enjoy the movie. I also put together a graphic to help spread the word, in before and after flavors. You are free to disseminate these far and wide! Take it and post it on your blog or other social media channels.

If you plan on seeing Jurassic World—or if you’re like me and plan on seeing it many, many times—consider a donation to paleontological research and the production of paleoart.  If you’re unsure about exactly where to send your money, Orr’s blog post has a list of some current research projects and independent paleoartists.  You might also check with your local natural history museum or university to see what dino-related things they’ve got going on that could use your support.

The folks who study and reconstruct ancient animals have made my life exponentially more joyful.  If you’re as excited as I am about Jurassic World, they’ve probably made your life more joyful, too.  Let’s show them a little gratitude.

By Ben Townsend from Blacksburg, Virginia (File:Velociraptor Wyoming Dinosaur Center.jpg) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons

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Prehistoric interlude

When he delivered his famous funeral oration during the Peloponnesian War, Pericles told the Athenians that “the greatness of our city brings it about that all the good things from all over the world flow in to us.”  I’m not a city person myself.  I prefer a nice small town within easy driving distance of a city, where you can hop in the car to enjoy urban amenities and then go home for some peace and quiet.  But “all the good things from all over the world” do indeed flow in to big cities, which is why they have the best museums.

And enjoying my favorite museum experience in the entire world is always my first priority on those rare occasions when I get to visit New York.  It’s the fourth floor of the American Museum of Natural History, possibly the greatest assemblage of dinosaur fossils on exhibit anywhere.

That’s New York’s main draw for me—not the theater, the food, the art, or the landmarks.  Not even the historic sites.  As neat as it was to see Washington’s inaugural Bible, I’d rather be in the dinosaur galleries at the AMNH than just about anywhere else.  It’s not just the sheer amount and quality of material in those halls; it’s also the fact that the AMNH collections have such a remarkable history behind them, excavated and studied by some of the most colorful explorers and scientists who ever lived.  A walk through these halls is as much a tour of the history of vertebrate paleontology as a tour of the museum itself.

Time for some prehistoric eye candy.

The Hall of Saurischian Dinosaurs


The first dinosaur specimen ever collected for the AMNH, from the famous dino graveyard at Como Bluff, WY


A carnivore who needs no introduction, first discovered by the AMNH’s famed dinosaur hunter Barnum Brown and described by Henry Fairfield Osborn, who was largely responsible for building up the museum’s vertebrate fossil collection


T. rex from the rear




The small, smart, and birdlike carnivore Deinonychus, whose discovery helped start the “dinosaur renaissance” of the 1960’s


The type specimen of Velociraptor, found in Mongolia during one of the AMNH expeditions to the Gobi desert in 1923


Hadrosaurs in the Hall of Ornithischian Dinosaurs


The famous “hadrosaur mummy,” found by Charles H. Sternberg and his sons in 1908








An ankylosaur, sporting a wicked suit of armor




A rearing Barosaurus in Roosevelt Memorial Hall


And finally, a historical artifact—the flag carried into the Gobi Desert on the legendary AMNH Mongolian expeditions led by one of my heroes, Roy Chapman Andrews


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