Tag Archives: Jurassic World

The park is open

Abraham Lincoln was such a Shakespeare aficionado that the quality of a production didn’t affect his enjoyment of it.  “It matters not to me whether Shakespeare be well or ill acted; with him the thought suffices,” he reportedly said.

With Jurassic Park films, the thought generally suffices for me, too.  My attitude is that any Jurassic Park film is better than none at all.  I liked The Lost World; I even liked the much-maligned JPIII, although it didn’t “bookend” the franchise in the way that the first films complemented one another in scale and scope.  I just love the franchise and delight in seeing dinosaurs on the big screen.

The question for me going into Jurassic World, then, wasn’t whether I’d enjoy the film.  I was pretty sure I’d get a kick out of it.  The only question is whether the movie would “suffice,” or whether it would be the follow-up we’ve all wanted it to be.

I got my answer Thursday night.  “Awesome” is a word that suffers from overuse, but in this case it’s warranted.  It’s Hammond’s dream realized on a massive scale, followed by a well-oiled thrill ride that bounces along from one high-adrenaline scene to the next, and it comes as close to capturing the original movie’s sense of wonder as any film I’ve seen in the last fifteen or twenty years.  It’s got enough of that sense of nostalgia to gratify longtime fans of the franchise, but it’s not so captive to its own history that it fails to carve out a place of its own.

Indeed, where it harmonizes with the other installments in the series is not in self-conscious references with a wink and a nudge at the audience—although there are a few of those moments, and they work—but in a more general congruence of structure and theme.  The franchise has always been about two things: the paradox of mankind’s powerlessness to cope with the consequences of his own power, and families, whether the creation of surrogate families (as in the first film) or the strengthening and reconstitution of biological ones (as in the second and third installments).  Jurassic World plays on both themes in a way that’s consistent with the other three films, but with enough innovation to put a new spin on things.

Of course, it isn’t the thematic issues that draw most people to these films.  Ask most moviegoers what Jurassic Park is all about, and they’ll tell you that it comes down to the dinosaurs.  Ironically, it’s with regard to the animals that most of my fellow dinosaur buffs have criticized Jurassic World.  Whereas the original film made headlines for tapping into the spirit of the “dinosaur renaissance” that reinterpreted the terrible lizards as active, warm-blooded, and birdlike, the fourth installment is a little behind the times.  We now know that many theropod dinosaurs—including Velociraptor—were feathered, which only underscores how correct many of the interpretations reflected in the first movies really were.  Jurassic World, however, adheres to the franchise’s internal canon rather than the scientific one.  Indeed, with regard to Velociraptor, it represents a step backward, since one of the raptors in JPIII sported a set of quills on its head in a nod to recent discoveries of feathered dinosaurs.

Normally I’m a stickler for accuracy in movies, and I would’ve preferred a little fluff on the raptors just for science’s sake.  In fact, the original novel provided the perfect rationale for such an adjustment; Wu points out that his lab produces the dinosaurs in “versions” along the line of new software releases to correct for defects in the cloning process.  Still, I’m not nearly as bothered by Jurassic World‘s leathery raptors as I probably should be.  For one thing, the franchise’s raptors were never accurate to begin with.  Velociraptor was a tiny animal; if you ran into a live one, its head would barely reach your thighs, although those teeth could still deliver a nasty bite.  (The raptors in the movies are closer in size to a close relative named Utahraptor, the largest member of the dromaeosaur family.)  And while I agree that feathery raptors in a major motion picture would’ve made for a good public education opportunity, I suspect that the hubbub over the film’s non-feathered dinos has gotten the word out to many of the people who would’ve been surprised had Jurassic World stuck to the science.

But the main reason I’m willing to give Colin Trevorrow and the other filmmakers a pass is simply because I can overlook a great many historical and scientific inaccuracies if a story is told well, and Jurassic World is a great ride.  It’s not a flawless film; it doesn’t have the same flair for deftly handling the scientific and moral aspects of the story with the same wit as the original.  But it’s a return to the franchise’s glory days—a big, bold, breathless adventure story that made me feel like the kid I was back in 1993.  My absolute favorite moment in the film came near the very end, a moment that rectified what I thought would be my biggest complaint about something that had been lacking, a scene perfectly engineered to have fans of the series leaping out of their seats and shouting for joy.  Up until that moment the film had been a home run, but that scene absolutely knocked it out of the park.  That’s as specific as I can get without giving the whole thing away, so suffice to say that Jurassic World saves the best for last, and when the credits rolled, all I wanted to do was go back and take the whole ride over again.

 

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Take the Jurassic World Challenge and support paleontology

A couple of days ago I finished reading An Agenda for Antiquity, Ronald Rainger’s book on the eminent naturalist Henry Fairfield Osborn and his career at the American Museum of Natural History.  It was Osborn who turned the AMNH into one of the world’s leading institutions for vertebrate paleontology.

He was never a field man, he delegated much of the nitty-gritty work of research to his subordinates, and many of his ideas about evolution were off the mark.  But as an administrator, a museum showman, and an intellectual who grappled with big questions, he left behind a tremendous legacy, the magnitude of which is apparent when you walk through those magnificent fossil galleries on the AMNH’s fourth floor.  (Incidentally, Osborn was also a master at coming up with awesome dinosaur names; he’s the guy who christened Tyrannosaurus and Velociraptor, probably the two coolest scientific monikers in the history of zoology.)

Osborn’s background was critical to his success at the AMNH.  He came from a wealthy New York family, and he was connected to some of the richest and most influential Americans of the late nineteenth and early twentieth centuries.  These connections enabled him to raise the money needed to mount expeditions, prepare specimens, build galleries, and publish research.  In Osborn’s day, vertebrate paleontology depended heavily on private donors.

It’s dependent on them still.  A lot of people assume that paleontology must be a lucrative business, since dinosaurs are so wildly popular.  Unfortunately, that’s not the case.  Compared to scientific fields with more immediately practical applications, paleontological research is woefully underfunded.

That’s one of the reasons why I heartily endorse David Orr’s idea over at the paleoblog Love in the Time of Chasmosaurs.  Check it out:

I call it the Jurassic World Challenge. If you’re buying a ticket for the movie, it’s a fair bet that you also have that much money to give to the people who bring prehistory to life in the real world. Think of it as a matching fund, crowdsourced. See the movie, do some good. The official rules:

  • Donate the equivalent of your Jurassic World ticket price to paleontological research
    or
  • Spend the equivalent of your ticket price on the wares of an independent paleoartist

Of course, you don’t have to pick one or the other. Buy some art, give some money to a research effort, enjoy the movie. I also put together a graphic to help spread the word, in before and after flavors. You are free to disseminate these far and wide! Take it and post it on your blog or other social media channels.

If you plan on seeing Jurassic World—or if you’re like me and plan on seeing it many, many times—consider a donation to paleontological research and the production of paleoart.  If you’re unsure about exactly where to send your money, Orr’s blog post has a list of some current research projects and independent paleoartists.  You might also check with your local natural history museum or university to see what dino-related things they’ve got going on that could use your support.

The folks who study and reconstruct ancient animals have made my life exponentially more joyful.  If you’re as excited as I am about Jurassic World, they’ve probably made your life more joyful, too.  Let’s show them a little gratitude.

By Ben Townsend from Blacksburg, Virginia (File:Velociraptor Wyoming Dinosaur Center.jpg) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons

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The new Jurassic World trailer is AWESOME, you guys!

Raptors running around and mass pandemonium and ankylosaurs bashing things with their tail clubs and a mosasaur chomping and carnivores grabbing people left and right and explosions and machine guns and pterosaurs snatching tourists right off the ground and whole herds of sauropods and stegosaurs and I think that was the T. rex munching on a goat and HOLY COW I FEEL LIKE I’M TWELVE AGAIN AND IT’S JUST FANTASTIC AND I CAN’T WAIT!

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Just in time for Thanksgiving, it’s the Jurassic World trailer

Aaannnnd here it is…

First impressions?  What excites me most is the scale.  A fully operational park full of crowds means interesting opportunities for some serious mayhem on a wide canvas, very different from the more intimate, tightly focused approach of the third installment.

Looks like an interesting balance of new stuff (mosasaurs, nifty ride systems, new characters) alongside old stuff that we’ve come to expect from the franchise (wonder, terror, kids in peril, raptors, and scientists making reeeaaaallllly bad decisions).

Would’ve been nice to see some T. rex, but there’s still plenty in that two-and-a-half minutes to take in.

I wish next summer would hurry up and get here already.

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In Rev War and dino entertainment news

Today‘s Jenna Bush Hager visited the Jurassic World set and talked to the cast.  Mostly they discussed Chris Pratt’s abs, but there were also some tantalizing glimpses of what the park is going to look like.

Meanwhile, it looks like AMC has renewed Turn for a second season.  As much as I like having some Rev War fare on TV, I’m not a fan of putting a fictional love triangle at the center of the story.  I’d much rather see the plot unfold from the circumstances of what the Culper Ring was actually doing.  You’d think there would be drama enough involved without manufacturing all these romantic interests for the characters.

And they really need to stop teasing us with the prospect of showing iconic battles without following through.  That stunt where one of the main characters was unconscious during Trenton?  That was just mean.

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Count me in

Director Colin Trevorrow has responded to the recent Jurassic World leaks, and I’m feeling a lot better.  I really think this guy has tremendous respect for the franchise and wants to contribute to it in a way that develops organically out of what’s come before.

Here’s a sample of the interview:

Jurassic World takes place in a fully functional park on Isla Nublar.…And there are dinosaurs. Real ones. You can get closer to them than you ever imagined possible. It’s the realization of John Hammond’s dream, and I think you’ll want to go there.…

This film picks up twenty-two years after Jurassic Park. When Derek [Connolly] and I sat down to find the movie, we looked at the past two decades and talked about what we’ve seen. Two things came to the surface.

One was that money has been the gasoline in the engine of our biggest mistakes. If there are billions to be made, no one can resist them, even if they know things could end horribly.

The other was that our relationship with technology has become so woven into our daily lives, we’ve become numb to the scientific miracles around us. We take so much for granted.

Those two ideas felt like they could work together. What if, despite previous disasters, they built a new biological preserve where you could see dinosaurs walk the earth…and what if people were already kind of over it? We imagined a teenager texting his girlfriend with his back to a T-Rex behind protective glass. For us, that image captured the way much of the audience feels about the movies themselves. “We’ve seen CG dinosaurs. What else you got?” Next year, you’ll see our answer.

In hindsight, it’s highly unfortunate that we didn’t get to see the “super dino” within the context of a story. Instead, it came as an isolated revelation in the form of an Internet leak, and a lot of us JP aficionados (including me) freaked out. Let’s see how it plays out as part of an entire film. Let the filmmakers tell us the story, and then we’ll judge that story as a whole.

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I’m going to have to sit down and come to terms with this

So for a couple days a rumor’s been circulating that this happens in Jurassic World (SPOILERS AHEAD, obviously):

Business is good at the park, but the powers that be start to dream up new ways to keep customers coming back; namely by splicing Dino DNA with other dinos (and other species). That becomes the problem. They splice together a T-Rex, raptor, snake, and cuttlefish to create a monstrous new dino that, of course, gets loose and terrorizes the park.

Which is weird, because (as fellow JP aficionados will recall) they tried this idea with the action figure line and it was kind of ridiculous.

Well, today comes confirmation that the rumor was true, and there will indeed be a tyrannosaur-raptor-cuttlefish hybrid in Jurassic World.

Normally I would squeal with girlish delight at the prospect of a movie with a tyrannosaur-raptor-cuttlefish hybrid, but when said movie is an installment in the JP franchise, well…I can’t help but get nervous.

Don’t screw this up, guys. Do NOT screw this up.

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