Tag Archives: museums

Military history is on exhibit in Ohio

If you’re in Ohio and you’re a military history buff, there are a couple of special exhibits in your neck of the woods that are worth checking out.

The Toledo Museum of Art is hosting The American Civil War: Through Artists’ Eyes until July 5.  This exhibit features paintings, sculptures, photos, and artifacts from the museum’s own collection, as well as items from the William L. Clements Library, the Rutherford B. Hayes Presidential Center, and other repositories that tell the story of Ohioans’ involvement in the war.

One of the highlights is Gilbert Gaul’s 6′ x 10′ painting Battery H 1st Ohio Volunteers Light Artillery in Action at Cold Harbor, on loan from the Oregon-Jerusalem Historical Society.

Civil War_1

Gilbert Gaul (American, 1855–1919), Battery H 1st Ohio Volunteers Light Artillery in Action at Cold Harbor. Oil on canvas, 1893. Framed: 10 x 6 ft. (305 x 183 cm). Lent by the Oregon-Jerusalem Historical Society. Photo courtesy of the Toledo Museum of Art.

Photos by Gardner, copies of Volk’s cast of Lincoln’s hands, and a sword carried by Rutherford B. Hayes are in the exhibit, too.  Definitely worth a visit if you’re into the Civil War.

Meanwhile, at the Hall of Justice…

…sorry, at the Cincinnati Museum Center, Treasures of Our Military Past just opened this week.  This exhibition covers more than two hundred years’ worth of military history from the Cincy region.  John Holt’s broadside printing of the Declaration of Independence, one of only four surviving copies, is the star attraction.

Leave a comment

Filed under American Revolution, Civil War, Museums and Historic Sites

Twenty houses and ten observations

To be honest with you, I’m just burned out on this Civil War Sesquicentennial thing, so let’s set aside the obligatory Appomattox post, unwind a little, and take a look at this listicle of twenty historic houses to visit in Tennessee.  Here are my observations, for whatever they’re worth:

  1. The Carter Mansion is right there near the top.  Well done.  (I’m quite fond of the Carter Mansion, you know.)
  2. Blount Mansion made the list.  Good.
  3. No Marble Springs on the list.  Home of Tennessee’s first governor.  Put it on the list, already.
  4. Tipton-Haynes made the list, and it has a Sevier association.  This mitigates some of my vexation over the omission of Marble Springs.  Not all of it, but a little.  Actually, Sevier would probably be totally miffed to see Tipton’s home and Jackson’s home on the list when his own home is omitted.
  5. More eighteenth-century homes on the list than I expected, which is nice.
  6. No Andrew Johnson home on the list.  Homes of two other Tennessee presidents listed, but no Johnson.  What gives?
  7. Not one, not two, but three houses associated with the Battle of Franklin on the list.  That’s more than the number of John Bell Hood’s functional limbs.  Pick either the Carter House or Carnton, for crying out loud.
  8. Technically, I suppose Graceland is a historic home, but I think we all know it’s not a real historic home, right?  Judging by the supermarket tabloids, we can’t even be sure the guy who lived there is dead.
  9. The Lincoln quote at the top of the site is a worthy sentiment, but I doubt he actually said it.
  10. You know what could’ve replaced one of those Battle of Franklin houses?  Sgt. York’s home.  That would’ve been cool.

1 Comment

Filed under Museums and Historic Sites, Tennessee History

We might actually be getting a new state museum

This is a legitimately big deal:

A plan years in the making for a new Tennessee State Museum next to Nashville’s Bicentennial Mall may finally get funding for construction.

Gov. Bill Haslam has proposed allocating $120 million for a new state museum as part of an amendment to his 2015-16 budget that includes nearly $300 million in additional non-recurring investments. To become a reality, the new museum would also require $40 million in private funds from the museum’s ongoing fundraising efforts.

The governor’s office says it is moving forward on the museum and other new capital projects because franchise and excise tax collections exceeded estimates last month as a result of “an unusual one-time event” on top of other revenue collections and program savings.

“I think all of the plans have been pretty well agreed to, and this could move along pretty quickly now that we have the funding in place,” Tennessee Finance and Administration Commissioner Larry Martin said of the museum.

It’s pretty exciting.  I just hope the new galleries will be as jam-packed with artifacts as the current exhibits in the Polk building.  The best thing about the current facility is the fact that you get to come face to face with so much awesome stuff.  It’s that encounter with so many incredible objects that makes a visit to the state museum so special: personal effects from the Donelson party’s harrowing flatboat voyage to Middle Tennessee, the Peale portrait of Sevier, and (of course) that exhibit case full of King’s Mountain treasures.

If the new galleries keep the collections at the forefront in the same manner as the current exhibits, while employing the latest techniques to interpret them, then we’re going to be in for a great show.

Leave a comment

Filed under Museums and Historic Sites, Tennessee History

The Abraham Lincoln Library and Museum’s newest exhibit features a glimpse at Hollywood’s Lincoln

Cross-posted to the blog of the Abraham Lincoln Institute for the Study of Leadership and Public Policy

The newest exhibit at Lincoln Memorial University’s Abraham Lincoln Library and Museum opened this week.  “Clouds and Darkness Surround Us”: The Life of Mary Todd Lincoln examines the tragic fate of Lincoln’s widow, and features original costumes from Steven Spielberg’s Oscar-winning film alongside additional material from the ALLM collection.  This exhibit runs through November 20, 2015.

In conjunction with the exhibit, the museum is hosting a number of special events, including a screening of Spielberg’s film and presentations on the history of Lincoln in the movies.  For more information about the exhibit and upcoming events, visit the ALLM website.

Leave a comment

Filed under Abraham Lincoln, Civil War

Carnegie’s transatlantic dinosaur just got an eviction notice

Here’s a news item that’s gotten plenty of us dinophiles riled up.  After decades of faithful service, Dippy the Diplodocus is moving out of the central hall of the Natural History Museum, London.  A blue whale skeleton will take his place in 2017.

I, Drow male [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 4.0-3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/4.0-3.0-2.5-2.0-1.0)%5D, via Wikimedia Commons

The NHM has been reminding everybody that their Diplodocus is a plaster copy of a skeleton at the Carnegie Museum of Natural History in Pittsburgh, whereas the blue whale’s bones are the real deal.  That’s true, but Dippy isn’t just any any other display cast.  This dinosaur has got quite a backstory, one that links a multimillionaire, a monarch, and two continents.

Andrew Carnegie was a man who liked to give away money, and some of that money funded dinosaur collecting.  His philanthropic activities in the late nineteenth and early twentieth centuries coincided with a period of fierce competition among America’s natural history museums, each institution sending teams of collectors into the great fossil graveyards of the West to find the biggest and most complete specimens for exhibition and trying to woo successful field men away from their rivals.  The three-way rivalry among Carnegie’s Pittsburgh museum, the American Museum of Natural History in New York, and the Field Museum in Chicago was particularly intense.

The biggest game of all were Jurassic sauropods, those massive dinosaurs with long necks, whiplike tails, and legs like Doric columns.  Carnegie wanted something big for Pittsburgh, and he got it in 1899; the Diplodocus his collectors unearthed in southeastern Wyoming that year was the largest dinosaur ever found at the time.  It was an important moment in the Carnegie Museum’s history, establishing it as the premier institution for the collection and exhibition of Jurassic sauropods.

Diplodocus bones had been found before, but this specimen was remarkably complete and the holotype of a new species, which John Bell Hatcher named D. carnegii in honor of the man who signed the checks.  Carnegie was so proud of his namesake dinosaur that when Hatcher published a reconstruction of its skeleton in 1901, the steel magnate had the image framed on the wall of Skibo Castle, his Scotland retreat.  In 1902 King Edward VII paid Carnegie a visit at Skibo, spotted the picture, and decided that the British Museum needed a Diplodocus of its own.

Carnegie was happy to oblige.  His technicians cast the dinosaur’s bones in plaster, along with pieces from other sauropod specimens to fill in what was missing from the 1899 find.  The Diplodocus made its British Museum debut in the Gallery of Reptiles on May 12, 1905.  Carnegie’s remarks for the occasion pitched the dinosaur as a transatlantic link between two countries, emphasizing the connection between the up-and-coming science museums of America and the more established institutions in Britain:

It is doubly pleasing that this should come from the youngest of our museums on the other side to yours, the parent institution of all, for certainly all those in America may be justly considered in one sense your offspring; we have followed you, inspired by your example.…Thus you, Trustees of the old museum, and we, Trustees of the new, are jointly weaving a tie, another link binding in closer embrace the mother and child lands, which never should have been estranged, and which, as I see with the eye of faith which knows no doubt, are some day—some day—again to be reunited.

The skeleton was a sensation, and it wasn’t long before other museums wanted their own Diplodocus copies.  Plaster sauropods became something of a cottage industry in Pittsburgh.  Within a few years, duplicates of Carnegie’s dinosaur stood in Paris, Berlin, Bologna, Vienna, Buenos Aires, Madrid, and the museums of other great cities.  (For more on the backstory of Carnegie’s dinosaur, check out Tom Rea’s fascinating account, from which I pulled the above quote.)

The original specimen went on display back in Pittsburgh, while the London copy moved a couple of times before taking up its current quarters in the central hall in 1979.  That’s where it was in the late eighties, when I saw it as a kid on my first trip overseas.  My parents both taught high school, and used to take their students on field trips to Europe during the summer.  Maybe they decided this would be a good opportunity to give me a learning experience, or maybe they couldn’t find a babysitter willing to put up with me while they went galavanting off to England for ten days.  Either way, I managed to get a trip to the natural history museum out of the deal.  Young dinosaur nut that I was, I got a bigger kick out of Carnegie’s plaster Diplodocus than I did out of the Tower of London or any of the other things I saw.

In fact, there’s quite a bit of irony in my personal connection to Dippy.  After dinosaurs, whales were my second biggest obsession as a young kid.  Along with the Diplodocus, one of my most vivid memories from that trip to England is seeing the whale exhibit in the Large Mammals Hall, including the blue whale skeleton that’s taking Dippy’s place in 2017.  Normally I’d be thrilled to see a new whale mount going up in a museum, but when the whale is knocking a dinosaur off its pedestal I can’t help but be a little miffed.

According to statements released by the NHM, the blue whale will remind visitors of the fragility of life on earth, since even this huge creature is vulnerable to extinction.  I can understand that, but my sentiments are still with those who want to leave Dippy in place.  One of the reasons the dinosaur’s pending relocation has stirred up such strong feelings is the fact that we all have such strong emotional attachments to those places where our earliest moments of discovery happened.

The NHM is thinking about creating a new cast of Dippy for the museum’s grounds, or taking the skeleton on tour.  Those aren’t bad ideas, but I can’t imagine anything more fitting to be the centerpiece of the main hall than a dinosaur.  I’m extremely partial to dinosaurs—as partial as they come—but you don’t have to be a hardcore dino aficionado to realize that there’s just something uniquely transcendent about them.  As paleontologist Robert Bakker has said, dinosaurs “take your mind and they stop it.”  The only response to one of those massive skeletons, whether it’s a plaster cast or not, is to just stop and stare up in awe with our mouths agape and our eyes wide, everything giving way to simple, unfeigned, unmixed, undeniable awe at the notion that such things were real, that they walked the same planet we do now.  For centuries, we’d been telling ourselves stories about dragons and monsters, and then when mankind had finally outgrown these stories, when we’d begun to master time and space and assumed that we’d peeked in all the world’s dark corners and reassured ourselves that there were no dragons lurking there, we started digging in the ground and found out that the dragons had always been there after all, waiting for us.

A whale skeleton might indeed remind NHM visitors that the world needs good stewardship, but if you want an invitation to wonder and curiosity, to the sort of attitude that museums work so hard to cultivate, you just can’t top a dinosaur.  Carnegie and Edward VII knew that, and I hope the folks at the NHM keep it in mind.

Leave a comment

Filed under Gratuitous Dinosaur Posts

Tidbits

Sorry for the absence, folks.  I’ve been pretty busy with classes, so we’ve got some catching up to do.  Here are a few items to amuse and inform:

Leave a comment

Filed under American Revolution, Historic Preservation, Museums and Historic Sites, Tennessee History

A respite at Marble Springs

We just had our annual John Sevier Days Living History Weekend at Marble Springs, along with our “Sevier Soirée” fundraiser.  Thanks to everybody who stopped by; I think both events went over really well.

It gave me a good excuse to take a brief respite from doctoral work and do a little public history.  I really enjoyed the time I spent working in museums, and interpretation was always my favorite part of the job.  Part of me has always missed it, so it was nice to get to do it again this weekend.

Plus, there’s nothing like sitting on the step by the door of the Sevier cabin and listening to an afternoon rain shower.  Rain doesn’t do much for visitation, but something about the way it sounds against a two-hundred-year-old roof is just wonderful.

ByEe6v3IYAE-rsL.jpg-large

1 Comment

Filed under Appalachian History, Museums and Historic Sites, Tennessee History