Tag Archives: museums

The Kincaid Gallery is coming together

The Abraham Lincoln Library and Museum won’t be re-opening until the end of this month.  But here’s a look at what’s been going in the Kincaid Gallery, where our new permanent exhibit Log Walls to Marble Halls is under construction.

A new gallery entrance:

Just inside the entryway is a recreated section of the Kentucky cabin where Abraham Lincoln was a child.  Pretty soon, it’ll be home to an original corner cupboard built by his father, Thomas.

When this case is assembled, visitors will peer inside and get a glimpse back in time at one of our WPA dioramas.

Graphics and labels waiting to go up:

A couple of the big artifacts are already in place.  One of the first things visitors will see is our magnificent Gutzon Borglum bust…

…and one of the last is this 1858 flag, a relic from Lincoln’s campaign against Stephen Douglas.

The folks from Owen Design Group and 1220 Exhibits have done amazing work in making this dream a reality.  We’re delighted to see this project nearing completion.

But we’re also eager to tell the rest of Lincoln’s story, and the story of the war over which he presided.  Click here to learn how you can help make it happen.

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Nominating Lincoln…in miniature

The diorama is still one of the most effective gimmicks in the museum business.  You can lose yourself in these little worlds behind glass.  Maybe it’s the fact that they’re three-dimensional.

In 1939, the Work Projects Administration funded the creation of twenty dioramas depicting scenes from Abraham Lincoln’s life for the Chicago Historical Society.  Painstaking research and craftsmanship went into each one.  Some fifty artists spent two years putting them together.

Today we have five of these masterpieces on exhibit at the ALLM.  Visitors (especially kids) are invariably drawn to them, like metal shavings to magnets.

Let’s take a look at one of the scenes.  It’s May 19, 1860.  We’re inside the parlor of Abraham Lincoln’s Springfield home.  The Republican Party has just concluded its second national convention in Chicago.  A delegation has arrived by train to inform Lincoln that he’s the party’s nominee for president.

George Ashmun of Massachusetts is handing Lincoln the official letter of nomination.

The décor is historically accurate to a middle-class Victorian home.  In fact, the wallpaper matches the actual design used in the Lincolns’ parlor.  Check out that exquisite little flower under glass in the corner…

…and the tiny books on the shelf.

The attention to detail is nothing short of astonishing.  There’s a miniature picket fence affixed to the exterior of the back wall, just in case a viewer should decide to peer through the windows.  It’s hardly visible from the front; most visitors probably don’t notice it.  I had no idea it was there until the first time I saw the diorama from the back.

The Lincoln figure looks pretty solemn, but there was a bit of levity to the proceedings.  The nominee asked William D. Kelley of Pennsylvania—I think he’s the fellow standing between Ashmun and Lincoln—how tall he was.  Kelley was 6’3″.

“I beat you,” Lincoln said,  “I am six feet four without my high-heeled boots.”

Kelley had a sense of humor.  “Pennsylvania bows to Illinois,” he replied.  “I am glad that we have found a candidate for the Presidency whom we can look up to.”

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Tremendous changes are coming to the Abraham Lincoln Library and Museum

I’ve been lucky to be a part of the Abraham Lincoln Library and Museum on and off and in one capacity or another since my undergrad days—as a student intern, a curatorial assistant, and now as the museum’s director.  Back when I was an intern, our curator Steven Wilson used to say, “A museum is a communication device.”  The ALLM has been in the communication business for a long time.  For more than forty years, we’ve been telling the story of Abraham Lincoln and his era.

Now we’re transforming the way we tell that story.  We’ve got big plans.  Let me tell you what’s in the works, and how you can help us bring it all to completion.

Thanks to a very generous gift from the estate of Hansel and Dorothy Kincaid, we’ve been working with a fantastic team of exhibit designers and fabricators to completely overhaul one of our permanent galleries.  That effort will finally be finished next month.  We’ll unveil our exhibition Log Walls to Marble Halls in the newly renamed and renovated Kincaid Gallery.  This exhibit examines Lincoln’s rise to national prominence, from his humble ancestry to the eve of his nomination for the presidency.

We’ll have more of our remarkable collection on display than ever before, taking visitors on a journey through Lincoln’s pre-presidential years using state-of-the-art exhibitry.

A few days ago we saw some of the finished graphic panels, cases, and other elements for the first time.  I can’t overstate how excited we are.  This gallery is going to be beautiful, and we can’t wait to show it off.

But Log Walls to Marble Halls is just the first chapter of the story we need to tell.  We want to bring our other exhibits up to the same modern standard as the Kincaid Gallery.  We’ve got to complete the saga of Lincoln’s life story with a permanent exhibit on his presidency, his management of the war, and his transformative vision for America.  And we’ve got to tell the other stories in our collection—the story of the Civil War as ordinary soldiers and civilians experienced it, the story of how the world has commemorated Lincoln in art and entertainment—not to mention our own story, the story of how such a remarkable Lincoln/Civil War collection ended up at a college in the mountains of Appalachia.

Telling these stories will take a lot of space.  That’s why we’re drawing up plans for a major expansion that will nearly double the size of our other permanent galleries.  And we need to make other improvements to the facility to ensure that our collection remains as secure and accessible as possible for many years to come.

Fortunately, we’ve got an opportunity to make it happen.  We have an astounding offer of $1 million from the Kincaid estate, provided we can raise an additional million to match it.

We’re already well on our way to meeting this goal, and we invite your participation.  If you’d like to help us complete the transformation of the ALLM, you can donate to the Kincaid $1 Million Matching Challenge online or by sending a check to LMU.  And if you have any questions about the campaign or you’d like more information about our plans for the museum, please feel free to contact us.

We appreciate your support.  And we look forward to sharing the Lincoln story in with you in exciting new ways!

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Recommended reading from the ALLM staff

Remember a few months ago when I posted this?

Maybe there’s a way to incorporate “teachable moments” into visitors’ gift shop browsing. Some chain bookstores have staff recommendation sections where the displays include a brief message from employees about why particular books appealed to them. Maybe museum shops should set aside some shelf space where curators and staff historians could highlight especially good works in their fields, complete with blurbs about why each title appeals to them. Besides encouraging people to pick up solid works, it would have the added benefit of putting a human face on the staff, allowing them to engage visitors on a personal level without even setting foot outside their offices.

Well, we’re going to give it a try at the ALLM, at the suggestion of our program coordinator, Natalie Sweet.  We’ve selected a few of our favorite books from the gift shop and added personalized blurbs to the shelf display.  Maybe it’ll prompt visitors to give these titles an extra look and foster their own independent historical studies.

Natalie picked Just a Few Words, Mr. Lincoln.  It was the first Lincoln book she read as a kid.  Her note to visitors explains why it made an impression on her.

Steven Wilson, our curator, recommended The Wilderness Road.  It’s an engaging history of the museum’s neck of the woods by a former LMU president, first published in 1947.

And I decided to recommend Battle Cry of Freedom, still my favorite one-volume history of the Civil War.  We want visitors to leave hungry for more information about Lincoln’s era, and I think it’s as good a place to start as any.

If this little experiment works out, we might devote more shelf space to staff recommendations, and maybe get suggestions from the Civil War historians on the faculty.

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GDP: A couple of Carolina dinosaurs

Well, it was supposed to be a working trip—no prehistoric shenanigans allowed.  But it turns out the North Carolina Museum of Natural Sciences is practically right across the street from the state archives.  I took it as a sign.

A most welcome sign, too, because the NCMNS has two dinosaur specimens I’d wanted to see in person for a long time.  The first is “Willo,” a remarkable Thescelosaurus from South Dakota.

This guy (gal?) was all over the news back in 2000 due to a claim that the stony mass under the shoulder blade was actually a petrified heart.  Other researchers have argued that it’s just a concretion.  Either way, Willo is a really neat fossil.

The other dino I wanted to check out was the world’s largest and most complete Acrocanthosaurus, a massive Early Cretaceous meat-eater famous for the spines along its neck and back.

Note that some of the bones are missing.  I think the museum is replacing the original fossils in the mount with replicas because of the preservation conditions in the exhibit space, so if you want to see the genuine article, you’d better do it sooner rather than later.

The original skull is in a case nearby, and it’s a beauty.

 

The acro shares its gallery with an Astrodon.  Those wicked teeth have already ripped a chunk out of the sauropod’s hindquarters, and it looks like the acro is going to make another lunge.

 

The dinos alone were well worth the stroll over from the archives, but this ginormous ground sloth is one of the most impressive fossil mammals I’ve ever seen.

Even more ginormous are the whale skeletons looming over the Coastal North Carolina exhibit.  My faves were the blue whale…

 

…and “Trouble,” the skeleton of a sperm whale that washed up on the Carolina coast in 1928.  The name came from the ordeal museum personnel had getting the bones back to Raleigh.

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Bypassing books in museum gift shops

History people tend to be book people.  The first place I hit up when I visit a museum or historic site is the gift shop, so I can scope out the book selection.  It’s a great chance to find titles I might not be aware of, and since I’m OCD, I have to get a sense of what I’ll be buying on the way out before I can settle down and enjoy the exhibits.

That’s why this tweet caught my eye the other day:

Books aren’t top sellers at the ALLM’s gift shop, either.  The only exception is a history title that LMU publishes in-house, meaning we’re one of the few places you can buy a copy.  Our most popular items are inexpensive souvenirs: facsimile Gettysburg Addresses (we sell a lot of those), novelty Lincoln items, mugs, pencils, postcards, and plastic Civil War soldiers.

It’s a little frustrating.  If you want your gift shop to contribute directly your institution’s mission—if you want it to be something besides a simple income generator—then offering edifying books seems like a good way to make it happen.  But if visitors don’t buy them, there seems little point in stocking them.  A lot of gift shops thus end up contributing to the site’s mission only indirectly, by defraying the costs associated with other areas of operations.  (Of course, a lot of visitors who scout out good books at museum and site shops might be trying to save some money by waiting until they return home to order them online.)

Maybe there’s a way to incorporate “teachable moments” into visitors’ gift shop browsing.  Some chain bookstores have staff recommendation sections where the displays include a brief message from employees about why particular books appealed to them.  Maybe museum shops should set aside some shelf space where curators and staff historians could highlight especially good works in their fields, complete with blurbs about why each title appeals to them.  Besides encouraging people to pick up solid works, it would have the added benefit of putting a human face on the staff, allowing them to engage visitors on a personal level without even setting foot outside their offices.

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Commercializing the Confederacy in museum gift shops

By Joe Haupt from USA [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons

If you haven’t already, check out Nick Sacco’s thoughtful post on Civil War site gift shops over at Muster.  The potential of gift shop merchandise to trivialize or compromise a museum’s historical integrity is a problem I’ve touched on here in the past.

It’s a much more immediate concern to me now that I’m running a Lincoln/Civil War site.  In fact, at the same time I ran across Sacco’s post, we were dealing with this very issue at the ALLM.  We just received a huge order of stock for our gift shop, which prompted a discussion in the office about merchandise with the Confederate battle flag.

In the past—in the pretty recent past, actually—many Civil War sites would stock souvenirs featuring the flag without a second thought.  Indeed, a lot of sites and museums sold miniature CBFs themselves.  But in the wake of recent violence associated with the flag, and because of closer consideration of the flag’s historical meanings prompted by that violence, museums and sites are proceeding more carefully.  As Sacco notes, the National Park Service has stopped selling standalone Confederate flags.

But what about selling other items with Confederate iconography, like the miniature kepis emblazoned with the flag that Sacco spotted at the General Lew Wallace Study & Museum?  Items like this encourage kids to situate their play in history, directing their imagination into historical channels.  This playful engagement with the past might seem insubstantial, but in many cases it’s the sort of thing that makes future historians and history enthusiasts. Quite a few of you reading this probably started out by role-playing mock battles with toy guns and hats before moving on to books, battlefield trips, and perhaps careers in history. But is a Confederate flag on top of a toy kepi less problematic than one flying from a staff?  A lot of folks would say no; indeed, some might argue that it’s even more problematic. What about those bags of plastic soldiers that are a staple of every Civil War site’s gift shop?

Here’s another example to consider. A few years ago I picked up a t-shirt at a museum in Corinth, MS.  The back features an illustration of the death of Col. John Rogers, who fell after seizing his regiment’s colors in the attack on Battery Robinett.  I bought it partly because, while working in an exhibit, I’d done some research on the photograph of Rogers’s body taken after the battle, and partly just because I wanted a shirt from my trip.  It’s not really a “Confederate flag t-shirt” per se, but the battle flag is a pretty prominent part of the image on the back. Should a museum gift shop rethink stocking an item like that in the wake of Charleston and Charlottesville?

If you’re on staff at a Civil War museum or site, where do you draw the line when it comes to selling items with Confederate iconography?  Does your site have a hard and fast policy in place, or is it handled on a case-by-case basis?  Or is this something that hasn’t even come up for consideration?

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