Next year the Tennessee State Museum is mounting an exhibit on slavery at the Wessyngton plantation, which at one point was the largest farm in the entire state and the biggest tobacco-producing plantation in the country. Archaeologists from UT have been studying the plantation’s slave cemetery, site of some 200 burials, as part of the preparation for the exhibit. USA Today has the details. Looks like it’ll be an interesting display.
Tag Archives: Tennessee History
In 1863 Nov. 29 fell on a Sunday instead of a Friday, but it was a pretty black day nonetheless, at least for the hapless Rebel soldiers who launched a disastrous assault against Fort Sanders at Knoxville. Those twenty bloody minutes ended Longstreet’s effort to re-take the city for the Confederacy, following its occupation by Burnside that September.
The attack on Ft. Sanders was neither a particularly big battle as far as Civil War engagements went nor as consequential as what was going on down in Chattanooga. But it’s a pretty big deal for history buffs here in my neck of the woods, so here’s another anniversary link-fest for you.
- Knoxville’s own historical columnist Jack Neely on the assault
- The Knoxville News-Sentinel‘s sesquicentennial coverage of the war in East Tennessee
- If you haven’t seen the McClung Museum’s exhibit on Ft. Sanders, you should definitely check it out. They have fossils, too! (By the way, that new Edmontosaurus is now called “Monty.”)
- The East Tennessee Historical Society has some nifty Civil War displays of their own, and they’re commemorating the Ft. Sanders anniversary with a free admission day.
- Need to read up on the contest for control of Knoxville? I recommend The Knoxville Campaign by Earl Hess, Lincolnites and Rebels by Robert Tracy McKenzie, and Divided Loyalties by Digby Gordon Seymour. For additional background, try Noel Fisher’s War at Every Door and W. Todd Groce’s Mountain Rebels.
- Last year we paid a virtual visit to the site of the battle. The fort is long gone, but there are still a few landmarks from the Knoxville Campaign around. Click here to book a guided tour, or stop by Longstreet’s headquarters and the Mabry-Hazen House.
- Watch the battle reenacted at a replicated Ft. Sanders, constructed for a documentary produced in conjunction with the McClung Museum’s exhibit.
And finally, here’s a depiction of the attack by Lloyd Branson, the same Tennessee artist who did the painting of the Sycamore Shoals muster at the top of this blog:
The East Tennessee History Center has launched a new exhibit on early Knoxville television in conjunction with the Tennessee Archive of Moving Image and Sound. One of the artifacts on display is the original backdrop from Cas Walker’s TV show. Doing the history of Knoxville TV without Cas Walker—self-made grocery magnate, broadcaster, populist, politician, and one-man Knoxville institution, referred to by one writer as “equal parts P.T. Barnum and Huey P. Long”—would be like doing the Jacksonian era without Old Hickory.
Born in Sevier County in 1902, Orton Caswell Walker spent his early years working jobs at mills and coal mines in North Carolina and Kentucky before opening his first Knoxville grocery store in 1924 with $850 he had managed to save. In a few decades, he turned this initial investment into a multi-million-dollar chain of establishments in three states.
Walker owed his success to a knack for self-promotion. No advertising gimmick was too outrageous, whether it involved dropping coupons from airplanes, tossing chickens off the roof of his store, or burying a volunteer stuntman alive. His image as an unpolished, uncultivated hick who enjoyed a good raccoon hunt served him well with working-class customers.
Walker leveraged his popularity into a role in local politics, winning a seat on the Knoxville City Council in 1941 and a short term (ending in a recall election) as the city’s mayor in 1946. In office and in his self-published newspaper he railed against higher taxes, the consolidation of Knoxville’s city and county governments, flouridation of the municipal water supply, and the local elites who considered him a backwards embarrassment. Reveling in his persona as a rough-and-tumble champion of the little guy, he denounced his opponents in what he called the “silk-stocking crowd.” A demagogue he may have been, but he endeared himself to the same working-class voters who had patronized his grocery stores.
The highlight of Walker’s political career came in 1956, when a dispute with J.S. Cooper during a city council meeting erupted into a full-fledged fistfight. I consider this the most delightful moment in Knoxville’s political history since the Sevier-Jackson showdown of 1803, and thankfully a newspaper photographer was on hand to preserve it for the ages. The image appeared in Life magazine, putting Knoxville’s contentious local politics in the national consciousness.
The centerpiece of Walker’s promotional efforts was his self-hosted TV program, the Cas Walker Farm and Home Hour, which ran for three decades and offered him a platform to plug his stores, showcase regional musicians, and pontificate. From a purely historical standpoint, the show is most notable for giving a young Dolly Parton one of her first breaks in the entertainment business. But for sheer entertainment value, none of the musical acts could top Cas himself, holding forth in his own rambling and occasionally profane style.
Here’s Cas discussing the subject of store security (mildly NSFW language):
And in this clip, he shares some advice on professionalism with his musical guests:
Marble Springs State Historic Site in Knoxville, TN is getting ready for its first annual fundraiser. We’re calling it a “Sevier Soirée.”
It’s on Saturday, Nov. 23 starting at 6:30 P.M. For $50 you can enjoy hors d’oeuvres prepared on an open hearth, dinner, wine, live music, nighttime tours of the historic buildings, and a silent auction. If you’ve been to Marble Springs before, this is a wonderful opportunity to enjoy the site in a fashion you’ve never experienced. And if you haven’t been, this is the perfect chance to do it in style.
For more information, visit the Marble Springs website or call (865) 573-5508.
If you live in my neck of the woods, here are a couple of upcoming events you might like.
This Saturday from 2:00 to 6:00 P.M., Marble Springs State Historic Site in Knoxville is holding its annual “Halloween Haunts & Haints” event, with special activities for kids and trick-or-treating at the site’s historic buildings.
Next up is the Lincoln Institute’s 2013 R. Gerald McMurtry Memorial Lecture. Ron Soodalter will present “The Quality of Mercy: Abraham Lincoln and the Power to Pardon,” at 11:00 A.M. in the Abraham Lincoln Library and Museum. Soodalter is the author of Hanging Captain Gordon: The Life and Trial of an American Slave Trader, and has worked as an educator, curator, and contributor to numerous national magazines.
I finished reading Sharyn McCrumb’s novel King’s Mountain night before last, and I’ve got to say that I’m pretty impressed at how much Overmountain Men lore she managed to pack into it. The gang’s all there, even fairly obscure characters like Enoch Gilmer. McCrumb is obviously passionate about the subject, and she’s done her homework.
The book’s not totally free of historical slip-ups. McCrumb indicates that Ferguson’s posting to the Carolinas was essentially a banishment to a backwater of the war, but the South had become the seat of Britain’s major offensive efforts by the time Ferguson arrived with Clinton’s Charleston expedition. At one point she says in passing that Light-Horse Harry Lee was an Overmountain Man, which is an error I don’t think I’ve seen anywhere else. Finally, her characterization of James Williams as a first-rate scoundrel traces back to questionable statements found in Col. William Hill’s 1815 memoir. Hill’s account is like Super Glue—it’s handy to have around, but you’ve got to be extremely careful when using it. It’s the work of an old veteran nursing a grudge, and some of his charges against Williams just don’t hold up in light of other sources. (For a detailed discussion of the whole Williams/Hill kerfuffle, I recommend William T. Graves’s new book. I’m not as inclined to exonerate Williams as fully as Graves does, but he makes an excellent case for taking Hill’s memoir with a generous dose of salt.)
When it comes to matters open to novelistic license, my only complaint is that McCrumb’s Ferguson is a pretty humorless, embittered guy. Although Ferguson endured repeated disappointments during his military career, his letters also indicate an endearing charm and wit, and they don’t really come across in the novel.
These caveats aside, I enjoyed the book and I hope it sparks widespread interest in the battle. If you like the Southern Campaign and early Tennessee history as much as I do, you’ll get a kick out of it. McCrumb employs John Sevier and Virginia Sal as dual narrators, and as much as I’m drawn to Sevier as a historical figure, I found the Virginia Sal chapters the most compelling. We know so little about Ferguson’s purported lover and the other women who followed the armies that they’re among the voiceless participants in the Revolution; McCrumb effectively lends them a voice of their own. Reading the story in fictional form as told by the people who lived it reminds you that they didn’t have our benefit of knowing how things would turn out, and they endured the pivotal autumn of 1780 with all the hopes and fears of flesh-and-blood human beings.
It’s worth noting that the novel is a distinctly Appalachian story, written by an author who specializes in the region. This is an interesting modern example of Appalachians claiming King’s Mountain as their own American Revolutionary moment, a process that began with regional historians and antiquarians of the nineteenth century. If you’re interested in how this regionalized memory of the battle emerged, you might enjoy my article on that subject in the Fall 2009 issue of Tennessee Historical Quarterly.