Tag Archives: John Sevier

A closer look at Branson’s Sycamore Shoals painting

If you haven’t seen the special exhibit of Lloyd Branson’s art at the East Tennessee Historical Society yet, I highly recommend it.  I’ve been twice, mostly to get a closer look at Branson’s masterpiece: his painting of the muster at Sycamore Shoals, on loan from the Tennessee State Museum.

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Completed in 1915, it’s a landmark in the history of Tennessee art and an important example of Rev War memorialization.  Branson’s epitaph refers to this painting alone out of all his other works: “THE TENNESSEE ARTIST WHOSE GENIUS CREATED THE PICTURE ‘SYCAMORE SHOALS’ AND BY IT IMMORTALIZED THE TURNING POINT THAT EANT LASTING VICTORY IN THE AMERICAN REVOLUTION A.D. 1780.”

I’ve seen it before, of course—so have you, if you’ve ever taken a look at my blog’s header—but always in the King’s Mountain exhibit case at the State Museum.  Without that protective glass and dim lighting, it’s like looking at a whole new canvas.  The colors are much more vivid, and you start to pick out details you’ve always missed.  It’s sort of like the first time you watch something in HD.

For example, here’s a group of militiamen gathered around a fire.  Looks like the guy on the far right is wearing a brown frock and leggings.  A little white dog appears to have followed his master to the muster ground.

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The guy in the blue coat is checking his horse’s feet—not a bad idea, considering he’s got a trip of something like 200 miles ahead of him.  One soldier with a blanket roll hurries to catch up with his comrades.  In the foreground, a volunteer kisses his wife or sweetheart goodbye, maybe for the last time.

IMG_1354I’d never noticed this African American before; he’s on the left-hand side of the painting, near the bank of the Watauga River.  The force that attacked Ferguson did include some black men.  Lyman Draper reports that Col. William Campbell’s mixed-race slave John Broddy was along for the march.  Another black King’s Mountain vet was Ishmael Titus, who was born a slave in Virginia and earned his freedom by serving as a substitute for his North Carolina master.

IMG_1357Here’s something else I’d always missed when looking at printed images of the painting: Branson put a couple of Native Americans at the muster.  Just a few months after the scene depicted here, the settlers in present-day Tennessee would be at war with their Indian neighbors again, and John Sevier would be leading his men south into the mountains on another campaign.

IMG_1348Is that a road running along the riverbank?  Perhaps it’s the trail that will take the Overmountain Men toward their camp at Shelving Rock.

IMG_1356There’s a fire going in one of the cabins nearby, and it looks like somebody’s cultivating the fields by the river.  More horses are lined up and ready for the long ride that will end in South Carolina.

IMG_1358Not all the Overmountain Men were mounted.  Here a group of footmen head out with rifles, blanket rolls, powder horns, and cartridge pouches.  As big and busy as this scene is, the amount of detail that Branson put into these small figures is remarkable.

IMG_1352There are two prominent men on horseback in the foreground, shaking hands with well-wishers before setting off.  If I recall correctly—and I don’t remember where I read this, so it’s a rather big “if”—the one on the left is supposed to be Isaac Shelby, and Sevier’s the one on the right.  Don’t quote me on that, though.

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Even more mounted volunteers head out from a fortified building (Ft. Watauga, perhaps?).  In the distance are the Appalachian mountains, the same ones Ferguson has threatened to march over to lay waste to the settlements.  The riflemen beside the river will be crossing those hills instead, headed in the other direction to take out Ferguson and his Tories.

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The more time you spend with the painting, and the closer and more carefully you look, the more you start to pick out finer details, and at some point all those seemingly indistinct figures start to take on a life of their own.  It’s not unlike the process of studying history, come to think of it.

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All I want for Christmas is a visitor center

Here’s the item at the top of my holiday wish list: Marble Springs State Historic Site really, really needs a visitor center.

Actually, we’ve needed one for a very long time, and the Tennessee Historical Commission has been trying to secure an appropriation to build us one for some time now.  A few days ago the Knoxville News-Sentinel ran an article on our ongoing effort to get this facility built and why it matters:

The Tennessee Historical Commission is asking for $2.2 million in state funds to build a 7,200-square-foot visitors center with exhibit, classroom and theater space along with a parking lot and improved entrance signs. The money also would fund the archaeology required before a building, likely located on a rise near Gov. John Sevier Highway, would be constructed.

The commission, which is Tennessee’s historic preservation office, recommends the request be part of the 2016-17 state budget. Gov. Bill Haslam announces his budget early each year, generally in February.

Marble Springs is the 35-acre South Knoxville farmstead of John Sevier, a Revolutionary War hero and East Tennessee pioneer who became Tennessee’s first governor. Owned by the state since 1942, the site is operated by the nonprofit Gov. John Sevier Memorial Association. Some 8,000 people — including 2,000 schoolchildren — visit the location each year.

This isn’t the first time the Marble Springs request has been a THC priority. Records show that it’s been a requested need since 1988, said [THC Historic Sites Program Director Martha] Akins. “We have been wanting a visitors center for Marble Springs for as long as I can remember,” she said.

I can’t even begin to convey how challenging it is to run a site without proper visitor facilities.  That’s especially true for an outdoor, multi-building site like ours.  For one thing, when visitors arrive, they don’t really know where they’re supposed go first.  All of our historic buildings and our log trading post look really similar, so unless we flag them down, guests tend to wander around aimlessly, looking for someone to buy admission from.

Second—and this is a really big deal—interpretation of the site’s history is much, much harder without a visitor center.  We can’t really orient visitors to what they’re going to be seeing without an exhibit space or an introductory film.  Guests need to begin their tour with some appreciation for who John Sevier was, what role he played in early Tennessee history, and where Marble Springs fits into the overall story.  Without an orientation space, we have to do all that orally as part of the tour itself, which isn’t the most effective way to use the site as the teaching tool it could and should be.

Third, without an exhibit space, our artifact collection is off-limits to visitors.  Archaeologists have conducted extensive work at the site over the years, but we don’t have a space to store or display the items they’ve excavated; instead, the University of Tennessee keeps these artifacts locked away for safekeeping.  Some of the objects that we do keep on site, such as personal items that belonged to Sevier, aren’t currently accessible to the public.

Finally, the lack of a visitor center severely restricts our ability to utilize the site in a multi-purpose fashion.  Site rentals for weddings, civic group meetings, and scouting events give us some added income, but not nearly so much as we’d have with a modern meeting space, better restrooms, and other facilities.  It would really be a game-changer.

If any of you Tennessee readers out there could let your elected officials know that this is a project worth supporting, I’d really appreciate it.

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It’s going to be a John Sevier September at Marble Springs!

This month will mark 200 years since John Sevier’s death, and we’ve got a whole slew of things going on at Marble Springs State Historic Site.

Sept. 19-20 is our annual living history weekend, John Sevier Days.  This is one of our most popular events, with reenacting, period demonstrations, interpretation at our historic buildings, and more.

Sept. 19th is also the night of our third Sevier Soirée, the annual fundraising dinner and silent auction that I posted about not too long ago.  Tickets are $50.00 per person, and include open-hearth appetizers, a Southern-style dinner, and live music by Guy Marshall.  Reserve seats by Sept. 14th, either via snail mail or online.

On Sept. 24th, the actual anniversary of Sevier’s death, we’ll have a special one-time commemorative event.  At 2:00 P.M. we’ll be doing a wreath-laying ceremony at Sevier’s grave on the lawn of the Old Knox County Courthouse in downtown Knoxville.  Thanks to a generous benefactor, we’ll also be hosting a cocktail event at Marble Springs at 7:00 that evening, followed by dinner.

This will be a very special month for aficionados of Tennessee history, historic sites, the American Revolution, the early frontier, good food, and good music.  Hope to see some of you there!

200 Sevier Poster

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Marble Springs in the news

The Knoxville News Sentinel did a story on some of our fundraising and programming efforts a few days ago.  Check it out:

Tucked away just down a gravel driveway from a busy highway lies a piece of history that some Knoxville residents don’t even know exists.

Marble Springs State Historic Site, located at 1220 W. Gov. John Sevier Highway, was the home of John Sevier, the first governor of Tennessee, from 1796 until his death in 1815.

The 35-acre property includes five historic structures, an arboretum and hiking trails and is open year-round for tours as well as special events such as a weekly Farmers’ Market, living history events, and workshops on everything from knitting to stargazing.

The site also can be rented for events such as birthdays, reunions and weddings, and yet visibility is still a challenge, according to Anna Chappelle, executive director.

“I don’t think they realize we’re here,” says Chappelle, a fourth generation Knoxvillian who is Marble Springs’ only full-time employee. “As a result, we’ve created this diverse programming to reach the community and to make an impact on the local economy.”

But you don’t have to be a history buff, a Scout or a student to enjoy Marble Springs’ third annual Sevier Soiree, which will be held 6:30-8:30 p.m. Saturday, Sept. 19.

The event will include a catered dinner, live music and silent auction to raise funds for the Gov. John Sevier Memorial Association, the nonprofit that operates and maintains Marble Springs.

“Many people assume, because Marble Springs is a state historic site, that it is fully funded by the state,” Chappelle explains. “We get a stipend from the state that covers about 50 percent of our expenses.”

For $50 per ticket, event attendees can walk among Marble Springs’ historic structures as the sun is setting, enjoying open-hearth-cooked hors d’oeuvres served by re-enactors in period costume and listening to live music by local Americana band Guy Marshall.

The silent auction will feature items such as tickets to area attractions, from Dollywood and Wilderness of the Smokies to the Knoxville Symphony Orchestra. The biggest draw, the one that causes “a bidding war,” Chappelle says, is a signed and framed photograph of Marble Springs’ own Sevier Cabin by photographer Michael Byerley.

Dinner, catered by Bradford Events, is a Southern-inspired meal this year, with fried chicken, cheese grits, squash casserole and sweet potato casserole, among others, served in the pavilion.

If you’d like to come out for the soirée, you can order tickets by clicking here.  Deadline for reservations is Sept. 14.  It’s gonna be a blast!

And don’t forget about our living history event the weekend of Sept. 19th.  You can rent the site for your wedding or family reunion, too.

By Brian Stansberry (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)%5D, via Wikimedia Commons

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Two easy things you can do right now to support Tennessee history

Okay, here are two quick things I’d like everybody reading this blog to do.

First, as you may recall, we’re doing a special fundraising drive on behalf of Marble Springs State Historic Site this year in commemoration of the bicentennial of Gov. John Sevier’s death.  We’ve just set up a new, super-easy way to contribute to this campaign at GoFundMe, so if you haven’t made a donation yet, please take a minute to do so.

Of course, you can still contribute via PayPal at the Marble Springs website or by sending a check in the mail.  If you can’t afford $200, feel free to contribute whatever you can.  We’ll gladly accept donations of any size.  When it comes to small historic sites, every contribution makes a big difference.

It’s a tough economic climate for smaller historic sites and museums, and some of the funding sources we regularly depend on are shrinking, so I strongly encourage everybody who loves Tennessee history, the American Revolution, and preservation to pitch in.

Second, there’s a historic home here in Knoxville in danger of being lost to development.  You can show your opposition to demolishing this historic property by adding your signature to the petition at Change.org.

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$200 for the 200th anniversary of John Sevier’s death

As regular readers of this blog know, I have the honor of serving on the board of the Governor John Sevier Memorial Association.  GJSMA supports the programming and operations at Marble Springs State Historic Site, Sevier’s final home in Knoxville, TN.

This year marks an important anniversary in Tennessee history.  It’s the bicentennial of John Sevier’s death.  To commemorate the occasion, GJSMA is undertaking a special fundraising initiative for 2015, called “$200 for 200.”

We’re asking folks who love history, museums, and Tennessee’s heritage to make a $200 donation to support our programming, in recognition of the 200th anniversary of Sevier’s death.  Donors who make this special bicentennial gift will be recognized on our $200 for 200 web page, and will also receive these benefits for one year:

  • Free site tours for two adults and our children
  • Free admission for two adults and four children to our special John Sevier Days event in September
  • 10% off gift shop purchases
  • Discounts for our special workshop events
  • A discount on site rentals

It’s a great way to support a fantastic historic site and do something meaningful in recognition of an important Tennessee anniversary.  If you’d like to join our $200 for 200 effort, you can donate via PayPal at the Marble Springs website or send a check to Marble Springs, P.O. Box 20195, Knoxville, TN 37940.

I know that a lot of you folks who read the blog appreciate Tennessee’s history and its historic places, so I hope you’ll consider a donation.  Thanks!

A gathering at John Sevier’s Alabama gravesite in 1889 before his reinterment in Knoxville. Tennessee State Library and Archives (http://tnsos.org/tsla/imagesearch/citation.php?ImageID=4259)

 

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New year, old cabin

Here’s a little archival item to end one year and ring in a new one.  My mom ran across this vintage Marble Springs postcard and gave it to me as a Christmas present.  I don’t know the date of the photo, but somebody mailed the card from Knoxville to the tiny town of Godley, TX in 1910.  That was thirty-one years before the state purchased the property.  As you can see, the place needed some work.

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I’ve seen this same postcard image online, and something about it has always befuddled me.  If the building in the picture is one of the extant structures on the site, it could only be the kitchen, which is attached to the main cabin by a dogtrot.

By Brian Stansberry (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)%5D, via Wikimedia Commons

Since the main house is a good half-story taller than the kitchen, you should be able to see the gable end over the kitchen’s roof on the postcard.  But from the postcard, it looks like there’s no building on the other side of the kitchen.  Somebody evidently retouched the image to replace the main house with trees.  I have no idea why anybody would do this, unless the smaller, dilapidated kitchen cabin better fit some postcard maker’s notion of what an Appalachian homestead should look like.

I did a little poking around online and ran across a slightly different version of the image from UT Special Collections, dated 1921.  Here the main house is clearly visible, as it would be if you were standing there in person.  This version, however, also looks heavily retouched.  Did somebody try to clean up an earlier, already retouched version and produce this result?  I don’t know enough about early photo manipulation to tell precisely what’s been done to the images.

“John Sevier’s “Marble Springs Plantation”,” in Special Collections Online, Item #4225, http://kiva.lib.utk.edu/spc/items/show/4225 (accessed December 31, 2014).

Anyway, it’s an interesting glimpse at a place that’s changed a lot over the years, and one where I’ve been privileged to spend quite a bit of time.

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